The Best Comics of 2017

Welcome to my annual attempt to share what I feel are the best comics of the previous year (in this case, the books of 2017). Before we get to the goods of it all, a few shoutouts.

Oh! and one other thing. Here's a 31-page minicomic I did fo Inktober this year, if that's your thing. It's very lightly not safe for little eyes, so...

Okay then, of course all the usual obnoxious caveats apply: a) that these lists are always only going to be a highly subjective record of tastes of a particular moment in a given segment of time; b) that it's virtually impossible and actually impossible to retain the same memory of a work read in January as it is of one read in November; c) that I of course haven't read a great many of the potentially fantastic works from across the year. All that's the same-ol' same-ol'.

Eligible for this list I'll be including:

(Example: I don't read comics as individual issues. Even though the entire Prophet series ended in 2016, it didn't end until 2017 for me because I only read print comics series in collected form. So when I list Prophet, which concluded for me in January of 2017 but seems super far away to you, now you know why I listed it.)

I believe that covers all my bases. Really though, I'm less interested in being a stickler for details than I am in just flat out recommending you some great comics reading from over the last year. So let's do that.


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My Best 100 Comics of 2017



by Cyril Pedrosa
264 pages
Published by NBM
ISBN: 1681121476 (Amazon)
Genre notes: day-in-life, Portugal, France

I may be something in the bag for Cyril Pedrosa. When I codified this list, I was going about my merry business gathering assets for each entry and it struck me. Pedrosa's Equinoxes was my №1 book of the year last year. And now, again I let him sweep me off my feet. I second guessed myself for a split second but flipping through Portugal again calmed my hesitations. This book truly is a marvel. It's beautiful, thoughtful, lively, and lived in. It's sentimental without ever feeling cloying. It offers real human dilemma without ever feeling overbearing. Quite simply: it was a joy for me to inhabit.

Artistically, it somewhat resembles Equinoxes mostly in the colourful changes from page to page, but where in Equinoxes those shifts corresponded to seasonal drift, here they are provoked by mood and location. Portugal is an easier book to fall into. It requires less of its reader than Equinoxes—there is less burden on the reader to discover for themself why Pedrosa is depicting a thing in a particular manner. Which, depending on your disposition, may not be a bad thing.

Pedrosa, over the years, has crafted three of my favourite graphic novels of all time. Three Shadows. Equinoxes. And now Portugal


The Girl From The Other Side: Siúil, A Rún

by Nagabe
4+ vols
Published by Seven Seas
ISBN: 1626924678 (Amazon)
Genre notes: fable-esque, faery tale-esque, horny guys, er... guys with horns

This series is straight magic. It's beautiful, spare, touching, and imaginative. It doesn't overplay its hand, and it's a haunting delight.

Basically, there's this little girl who was left behind outside the city walls where the cursed outsiders dwell. Being touched by an outsider means that you too will be cursed and will turn black and grow horns like they do. Only, this little girl lives in a small cottage with one of the outsiders who is bent on protecting her and teaching her. He looks like a monster but he worries about telling her the truth about how she was left behind by the Auntie whose return she eagerly awaits.


Pope Hats

by Ethan Rilly
5 vols
Published by AdHouse
ISBN: 1935233408 (Amazon)
Genre notes: day-in-life, law firms

It took me forever to get on the Pope Hats train. I was even at the Small Press Expo the year it won an Ignatz, but left without purchasing. A big part of my reluctance is that I don't really have a viable means of storing saddle-stitched work. I have shelves that are good for stuff with spines where you can read a book's title, but nowhere to keep zines or periodical issues. But like, who cares, really, right? What's important is that I did end up getting all five issues of Pope Hats, which means the book has to make it on this list fairly high - because I'd be negligent not to include it very high.

Pope Hats is very good at what it does. It tells the story, principally, of Frances Scarland, who begins the series at the low rung of the law firm totem pole but gradually begins to climb, almost accidentally, through no ambition of her own. It's the story of her and her best friend Vickie (an actress) and the friends like Peter who enter their orbit. It's the story of pretty real feeling people living pretty real feeling lives. It's comfortable and enjoyable and relatable and pretty much perfect. I'm glad I'm on this train now. Choo choo.



by Cathy Malkasian
256 pages
Published by Fantagraphics
ISBN: 1606999915 (Amazon)
Genre notes: fable

Eartha is prodigiously imaginative and for something that has a moral in the same kind of way that the Gigantic Beard That Was Evil does, it never feels overly didactic or preachy. The illustrations are pretty too.

Eartha is a woman, guileless and strong and fat. She is everybody's favourite citizen of Echo Fjord, reliable and buoyant. Echo Fjord is an agrarian place where the dreams of the City come to visit (literally). The unfulfilled longings of the citizens of the City have for thousands of years migrated to the Fjord for catharsis and release. Only now, after a thousand years, few dreams arrive, and Eartha worries that everyone in the City has died from a war. Things happen and she goes to the city and more things happen and it's all pretty wonderful and the contrivances of the plot are pretty unebelievable but none of that matters because everything is pretty much just magic.

Lovely book. A bit large and unwieldy though. (12 in wide, 10 in tall, an inch thick and hardcover.)


The Hunting Accident

by David Carlson and Landis Blair
464 pages
Published by First Second
ISBN: 1626726760 (Amazon)
Genre notes: biography, history, true crime, literature

Not only is The Hunting Accident a gripping exploration of a very real intersection between an unfortunate, haunted young man and a famed criminal, but The Hunting Accident is also (and perhaps primarily) about fathers and sons and that turmoil that builds when hidden pasts are not encountered in an environment built on trust.

The Hunting Accident in the main spans around four decades, moving us from around 1930 to 1970. Some episodes occur earlier, and the epilogue travels all the way to the present day. Matt Rizzo has a problem with his son. In 1959, Rizzo’s son arrives from California where his mother has just expired. Rizzo is blind and an unsuccessful writer, but he tries to do well by his son. He explains his blindness as the result of a hunting mishap when he was a child. There’s more to it—much more—but Rizzo feels compelled to hide the truth of it from his son as much in order to protect the young boy as to protect his own heart.

Eventually, it comes out that Rizzo spent time in prison as a young man, cellmate to Nathan Leopold Jr (of the famous Leopold and Loeb). From there begins a raucous, wonderful exploration of mid-twentieth-century history, prison life in the same era, great literature, and the struggles that sons have with their fathers. The story is dripping with fathers and sons—and while all of those relationships resemble not even remotely my own relationship with my father, there’s still a little something that sounds familiar. The world is recognizable.



by Tsutomu Nihei
6 vols
Published by Vertical
ISBN: 1942993773 (Amazon)
Genre notes: speculative fiction, action, grotesque, whoa

Many of you may be aware of Tsutomu's work through Netflix's release of the anime adaptation of Knights Of Sidonia. KOS was his most recent series and it's polished and streamlined and tame. Still has some mind-expanding spec-fi going on in it, but it's tame nonetheless.

KOS is his third major series. Biomega is nutty and insane and rad and is his second series. Blame! is where he started off and it makes everything that follows feel a bit shabby. The art isn't as professional and tidy as Knights Of Sidonia, but this book has gumption.

Vertical just rereleased the series in what's called the Master Edition. Probably to coincide with the animated series adaptation that Netflix is picking up (May 20 - The Master Edition is gorgeous. 7.25 inches wide and 10.25 tall and an inch-and-a-quarter thick. These are big luxuriant paperbacks and really show off the unvarnished dynamism of Tsutomu's vision.

The story is about this guy, Kyrii. He's a bit quicker and stronger and more immortal than normal. He gets beat up a lot and he beats up a lot. He is scaling through the strata of this behemoth complex called the City to locate someone who still has the net terminal gene. This is far far in the future. Humanity has evolved down a variety of lines and there's been the introduction of some kind of mutagenetic infection. And when I say the City is large, I mean that it's grown enough to encompass Jupiter. Much larger than your average Dyson sphere. Life is cheap and rough and synthetics and ancient programs hunt down humans, so you can't really get too attached with many of the people Kyrii meets on his travels. It's rare they'll last long.



by Karine Bernadou
80 pages
Published by Retrofit
ISBN: 1940398606 (Amazon)
Genre notes: fable, social issues, a bird with both boobs and a wiener

Canopy is pretty rough in the sense that it describes a female experience (not *the* female experience but a common female experience) in stark though oblique terms. One friend who read it was so bowled over that she sobbed in public while reading it. I was not quite as overtly affected but I did want to hold my daughter tight for hours and days and months after, keeping her safe from the potential terrors of life in a world overpopulated by men who would consciously or unconsciously wound her with their needs, desires, and way of being.

Canopy demands an interpretive frame of mind. It's less straight narrative and more parable. It's a series of connected experiences where figures represent experiences or types of men. For the casual reader, understanding may be obfusticated. But as one dwells on the images, they begin to coalesce and one begins to grasp at potential reasons Bernadou may have chosen to depict things in one way rather than another. And like with all parables, they who have ears to hear, let them hear.

The book opens with the infant woman nursing at her mother's breast. Her father sits at their side. Over the course of a couple pages, the infant woman grows to maturity, still nursing as her mother grows older, hair turning to white. The father is present for a couple panels and then only in the family portrait on the wall behind the mother, then absent. When the once-infant woman reaches adulthood, her mother's breasts dry up and she can no longer nurse. Her mother blind folds the woman and leads her out into the magical dangerous forest and leaves her. A man approaches (he is nude, we do not see his face) and leads her further into the forest. By her thoughts, we see she believes this man to be or associates this man with her mother. That's about the first five pages and introduces the idea.


Sound Of The World By Heart

by Giacomo Bevilacqua
192 pages
Published by Magnetic
ISBN: 1941302386 (Amazon)
Genre notes: New York living, photography, magical realism

Sam's a photographer for a boutique-published magazine in France. He's in New York recovering from a broken heart and using the opportunity to work on a special project for his editor. He will spend two months without communicating to another human (apart from morning updates to his editor via texting) in the midst of the bustling throng of the metropolis. He can eat at a particular restaurant or his apartment no more than three times in that two month period, forcing him to find ways to interact without speech. A key prop in his operating mode are huge headphones with which he can appear logistically insensible to dialogue.

This book is gorgeous, the illustrations lush and colourful. This is one of my favourite reads from 2017 so far. I can see it fitting in my end-of-year top 10 pretty easily. It's about the romance of living, the romance of a challenge, and the romance of a city. Your experience of the book will definitely be helped if you can give yourself over to the idea that New York City is a living, breathing entity suffused with a kind of special magic. I've been there once and my personal experience said the opposite, but suspending my bias for the space of this book turned it into something wonderful.



by Flavia Biondi
144 pages
Published by Lion Forge
ISBN: 1941302505 (Amazon)
Genre notes: day-in-life

"I thanked all my mistakes and my cowardly choices. If it hadn't been for them, I wouldn't understand."

Generations is about second chances. Generations is about growing up. Generations is about other peoples shoes. Genreations is about family and what family means and what family does and how family will make you the strongest person in the world if you let it—and sometimes maybe if you don't.

Genreations is about Teo, who ran away to Milan in the face of his father's unhappiness when Teo comes out to him. Generations is about Teo, who comes back home to the country, living with his grandmother and three aunts and his pregnant cousin while he tries to figure out whether to and how to patch things up with his father. Generations is about Teo, who is trying to not be a great big baby about life for the first time in his life, only he needs help but isn't that good at asking for help.

When I first was reading Generations, I thought it was fine. A good book but not a great book. It hit a lot of notes I'd seen before. But then, somehow in the final twenty pages or so, in the book's closing sort of an essay, I was swept up into this roiling torrent of emotion. I found myself deeply and satisfyingly moved. It's not a feeling that hits me often enough while reading and for that I'm rewarding Generations as best I know how. This book will remain a treasure to me.


House Of Penance

by Peter J Tomasi and Ian Bertram
176 pages
Published by Dark horse
ISBN: 1506700330 (Amazon)
Genre notes: hallucinatory biography, pretty gore

Man. This thing was an incredible experience, mostly from the art but the writing made room for the art and that's respectable. It's gorgeous and grotesque.

It's basically hyperrealized biography of Sarah Winchester (of California's famous Winchester Mystery House). The barebones of the history is that Sarah Winchester married into one half of the Winchester Repeating Arms ownership. Her husband and 5yo daughter died and she kind of went a little haywire with depression, moved out to San Jose, California and started work on a house (possibly to comfort the spirits of a) her husband and daughter and b) the spirits of those slain using Winchester guns. She spent basically $23K a day building, tearing down, and rebuilding the great house (at its height, possibly 7 stories, but after the SF quake only 4). There are doors and staircases that lead nowhere.

Tomasi and Bertram embellish the legend and make her truly bonkers but also sympathetic. The book is deliriously full of hallucination and visual metaphor. It was a wild ride.

Strangely, though, they got the year and age of her death really wrong.


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by Fumi Yoshinaga
13+ vols
Published by Viz
ISBN: 1421527472 (Amazon)
Genre notes: history, alt-history, gender roles, internecine political madness

Would highly recommend the series Ooku: The Inner Chamber. It's an alt-history of Japan. During the third shogunate (what, around 1625 or so?) the country gets swept with the red-face pox, a pox strain that Y-The-Last-Man-style only affects males. Only 20% of the male populace survives so society (and even the shogunate) switches to a female dominated life and governance.

The cool thing is that despite the switch, Japanese history is essentially unchanged. All the shoguns and all their stories and all the Japanese events remain unchanged save for that now it's women in the same roles. So you're getting this amazing story that is basically just a trick to get you to read Japanese feudal history and think about women outside their traditional roles. And it's amazing.

And there are some seriously deeply Machiavellian nuttos up in this thing. Poisonings are rampant. Scandals, beheadings, coups, maneuvering, jockeying heirs, the whole shebang. It's madness and you want so badly for some catharsis and for the villains to get theirs. And sometimes you get that but a lot of times the bad guys just win and never suffer a single consequence.

And the crazy thing? All of this really happened because Yoshinaga is just telling you the story of Japan.

Vol 13 just came out and those 13 vols cover a space of about 250 years. I don't know if vol 14 will be the finale, but it certainly feels like it could be drawing to a close. (The series was originally slated to run 10 vols but the story was just so big.)


Theft: A History Of Music

by James Boyle, Jennifer Jenkins, Ian Akin, and Brian Garvey, with Keith Aoki
262 pages
Published by Duke Law School
ISBN: 1535543671 (Amazon)
Genre notes: music history, copyright history, IP ethics

One of my favourite things about Theft: A History Of Music is how it itself continually samples/borrows/swipes from verbal and visual pop culture while discussing the rampant history of the same between basically all musicians and composers for all time. Deliriously informative read. I had been aware that all music is borrowed/sampled/swiped from (or in polite company, inspired by) other pieces and performances, but Theft does a great job of offering examples not just from a particular period but from a wealth of periods. The book drops knowledge on you in a big way but is ultra-glib and enterataining while doing so. Takes what could be an otherwise pretty dry subject and keeps it light enough so that even the lowest common denominator (like me) can be carried along to its end.


Stand Still Stay Silent

by Minna Sundberg
2+ vols
Self-published on internet
Read here)
Genre notes: post-apocalypse, adventure, ghosts, zombies, other... things...?

Post-apocalyptic zombie fiction has never been better. Which is good because the post-apocalypse is pretty well played out and man do I hate zombie fiction. But Sundberg's vision here is almost entirely unique in every way.

1) The remaining civilized world is so far limited to Iceland, fortified pockets of Norway, Sweden, and Finland, and a single island of Denmark. That's a rare and interesting setting for a story told in English.

2) The zombies aren't zombies like we typically think of zombies. There're also corrupted beasts and now a bunch of super-interesting ghosts. And an eight-legged horse that's kind of a ghost boss thing. The lore of this new world is extensive, detailed, and imaginative.

3) Sundberg's art is gorgeous. It's luscious and the way she affects mood through colour is essentially like nothing I've seen.

2017 was a huge year for Stand Still Stay Silent. The status quo shifted in a way that had fan discussion going wild with thoughts and processing and cetera. The tone and tenor of the book is unmistakeable now. This is some of the best comics around. Highly recommend. ¤_¤



by Alexis Deacon
2+ vols
Published by Nobrow
ISBN: 1910620033 (Amazon)
Genre notes: Celtic folklore, fantasy, darkness

Here's author Alexis Deacon talking about what a geis (pronounced gesh) is.

I’d grown up with this book of Celtic mythology and folk tales and they very often used this concept of "geis." The idea is that we all have these "geisa," these rules we mustn’t break, but you don’t necessarily know what they are. You go to a priest or a wise woman and they would say, you must never speak to a woman wearing purple or you must never eat five peanuts consecutively or you must never jump over one black sheep and two red sheep. You go, okay, got it, no problem–but then you inevitably do all those things. There’s no way of escaping it. Often in the stories the more things they do to get away, the quicker they bring the events about. I really liked that idea of an inescapable fate. I don’t use it in exactly that way but the core is the same.

Geis a dark fantasy series, kind of a dark fantasy version of Hunger Games or Battle Royale. But not dark fantasy in the overly chatty, grimdark, ironically self-assured manner of we've seen become common today. This is understated and confident without being jabbery. Deacon seemingly effortlessly (though I'm sure he put in plenty of effort) draws the reader into a world and story that doesn't let go. I am delighted by this book and hungry to see where it goes next—Deacon so far excels at defying expected routes and carving new paths through the adjacent thicket. And the art is reminiscent of Kerascoet's in Beautiful Darkness. Lovely, tricky, sinister work.


Goodnight Punpun

by Inio Asano
7 vols
Published by Viz
ISBN: 1421586207 (Amazon)
Genre notes: coming of age, dysfunctional families/society, road trip, magical realism

Goodnight Punpun is one of those books that I don't really like at all but still recognize as being of superlative craft. Punpun himself as well as nearly every other character in the story are basically awful. These are small-minded, violent betrayers who stalk the streets and homes of Tokyo looking desparately for wells (figurative) to poison and lives (literal) to ruin. And they all lay blame at each other's feet (which is good) while not taking responsibility for their own blame (which is bad). Punpun is the main character and he is an absolute creep and pretty nearly irredemable. And sure, we can blame some of the withering of his compassion glands on growing up in a dysfunctional family, but not all of it man. Tons of people put up with worse without sinking to the depths of his vileness. In short, I guess: I hated every minute of Punpun's revelation of self.

But then, there's the superlative craft of the book. Asano shows himself something of a genius. Diabolical perhaps, sure, but still. Goodnight Punpun is the work of prodigy. It expands the reach and the stretch of the form in so many ways and so consistently. Even Anneliese Christman's lettering is par excellence (sometimes it even blew me away).

Punpun's story is brimful of magical realism. It's almost certain to take new readers aback, leaving them few ways to understand the bizarre things that happen on the outskirts of Punpun's vision. Nevermind that Punpun himself is drawn as a simplistic cartoony bird while everyone else is rendered as detailed and (usually) ugly humans. Principals and teachers play hide-and-seek during school hours. Students pose in ritualist stasis wile drama unfolds on panel. Punpun invokes God and God appears to tell Punpun how little he cares for the little guy. And across the background of the story, a superhero battle unfolds with seeming little connection to the rest of the story.

It's a strange book, unlike anything I've yet read, but it's a magnificent testimony to the skill and creative imagination of its author. It's simultaneously disgusting and heartfelt and queer and critical. I didn't like it but it astonishes me.



by Jiro Taniguchi
128 pages
Published by Fanfare/Ponent Mon
ISBN: 1912097044 (Amazon)
Genre notes: midlife crisis, travelogue

So Louis Vuitton hires these artists to do travel books for them, basically a carnet de voyage. They'll get ahold of an artist and send him or her to a location they've never been before and the get back a book of paintings of that place, which they'll then publish in a pricey little art book. Lovely stuff, nice for coffee tables. They tapped Taniguchi for the series a number of years ago and as Taniguchi does, he turned it into a narrative about, surprise, a man wandering around Venice taking in the sights.

The frame is that the man found among his deceased mother's things a lacquer box filled with photos and some small watercolours from Venice a long time ago. In the photos are a young woman (his grandmother?) and a child (his mother?), and occasionally, a young man (his grandfather?). As he travels around Venice he tries to match up locations with the photos and the watercolours—and along the way hopes to get some better sense of his family and their history. The narrative is slight but affecting. The real draw, however, is Taniguchi's gorgeous paintings of the city. Some are good, some are beautiful, and some are awestriking.

Here's a 4-minute video of Taniguchi talking about the project:


Audubon, On The Wings Of The World

by Fabien Grolleau and Jérémie Royer
184 pages
Published by Nobrow
ISBN: 1910620157 (Amazon)
Genre notes: biography, nature, ecology

Audubon is a sumptuous book, filled to brim with illustrations of forests, rivers, animals, and birds. It was a delight to discover the mania that lit the life of John James Audubon, a man of whom my only prior knowledge was his connection by name to the Audubon Society.

It's a well-paced jaunt through the man's later life, dwelling on episodes that confirm his infatuation with nature, his love for it, and his need to catalogue it. It's also interesting to see the 19th century environmentalist for how vastly different they are from their contemporary counterparts. In the 200 years ago, the environmentalists were hunters and one of their best tools for securing assistance in unveiling the natural world to the public (and eventually protecting it through parks and reserves) was to kill lots of animals and display them. This was Teddy Roosevelt's M.O. as well.


Uncomfortably Happily

by Yeon-sik Hong
576 pages
Published by Drawn & Quarterly
ISBN: 1770462600 (Amazon)
Genre notes: autobio, artists, losing your mind, marriage

I complain a fair amount about autobio, because often (probably even usually) it's obtuse or aimless or doesn't really have any real narrative trajectory. Also, unless the author is very specific in their aims, the work meanders and really isn't about anything beyond scattered snapshots of a life lived with little sense of understanding What Actually Happened. A lot of this can be mitigated by choosing a succinct pericope and essentially making your autobio comic about The Time I Did This And This Happened And Here's What I Got Out Of It.

When I first picked up Uncomfortably Happily, I winced to find it was autobio. At 576 pages, aimless navel gazing for the duration might actually kill me. Fortunately, Hong gets it. He knows what he's doing and does it well.

Hong and his wife are artists. Hong has been in comics for 14 years and his wife, a former student, is just attempting to get her career off the ground with a couple quirky children's books. They get fed up with the cost and chaos of life in Seoul so they move to a remote house up on a lonely mountain if order to work more freely. Uncomfortably Happily is the story of the year they spent there, what happened, and how it changed them.

We see their joy and interest in the move, Hong's early budding reticence, and their realization at just how much work living provincially will cost. We see how each deals with the loneliness, how cold and hard winter can really be, and how Hong begins to lose his freakin' mind. And then we see the rest of it.

Beyond the fact that Hong tells his story well, there were two principal things I deeply appreciated.

1) We see intimately Hong's struggle as an artist desiring to do work he considers valuable and of merit but needing to take on other people's contract work in order to keep the phones on and the house heated (spoiler: these things don't always get done). There're a lot of moments when there are two or three Hong's on panel talking with each other, arguing about what to do or how to live. Hong feels like a failure, constantly fielding revisions from his editor on books that never see substantial royalties. As an artist myself (and comics artist) who struggles to find time to work on my own projects and makes ends meet in graphic design, I found many moments of myself in Hong.

2) As Hong (the character in the book) gets sick from burning candles at weird ends and his depression and anxiety and anger at life overwhelm him, Hong (the author of this story) dives into non-literal representations of things. Animals talk, his comics come to life, things get kind of crazy. It was an unexpected direction and it elevated the work for me to see him portray his inner struggles with such fancy.

There might be something better out there, but for my money so far, Uncomfortably Happily is the best comics autobio of 2017 by a pretty wide margin.


My Love Story

by Kazune Kawahara and Aruko
13 vols
Published by Viz
ISBN: 1421571447 (Amazon)
Genre notes: progressive romance

It took me a couple years to give My Love Story a shot. I wasn't taken with the art. It kept me from bothering with the series. But man, you guys, I loved this story. And the art gradually became rather charming to me.

Later in this list, I'm going to recommended Horimiya, another wonderful progressive love story. I love Horimiya so much but if there's one part where it falls down a bit, it's with side character creep. Gradually as the series goes and new side characters join the book, we get less and less focus on the main couple, who are the reason why we're reading the story in the first place.

My Love Story doesn't have that problem. This is about Takeo and Yamato from beginning to end—and any stories dealing with the side characters are there to serve the telling of the main story. It's refreshing to see such a single-minded pursuit of a story about a boy and his girlfriend.

My Love Story is progressive romance (i.e. one that moves beyond the meet-cute and the will they/won't they question, exploring their life as an established couple and beyond). Takeo is a 6'6" muscular and forthright 15yo boy (who people mistake for an imposing and therefore creepy adult) and has had zero luck with the ladies despite being incredibly popular with the guys. Early in volume 1, he rescues Yamato from a groper on the train and after an initial confusion where Takeo thinks she's interested in his friend, they start dating. All this happens in the first half of vol 1. The rest of the 13 vols is exploration of their relationship given their personalities and insecurities. And it's kind of delightful.

One other aspect I appreciated was the deep love between Takeo and his best friend Sunakawa. They care so much for each other and are deeply invested in each other's happiness. It was pretty beautiful to see.

I got the whole thing from the library and binged it over the course of three days. I'd probably recommend taking more time with it than I gave.



by Hamish Steele
216 pages
Published by Nobrow
ISBN: 1910620203 (Amazon)
Genre notes: egyptian mythology

This is off-the-hook bonkers. Also, pretty faithful to the Egyptian myths. Therefore, off-the-hook bonkers.

You know how the Greek myths are pretty nuts? Rape, incest, Zeus being a giant animorph and screwing basically anything with a hole and making demigod after demigod (cf here). One lady he seduces by being a ridiculously charming swan.

So yeah, as nutty as Greek mythology is, it reads like Anne Of Green Gables next to the Egyptian brand of the stuff.

With that in mind, Hamish Steele's tongue-in-cheek and deeply gross comic about them is probably the perfect way to encounter and understand the Egyptian mythos. Lots of sex, lots of incest, lots of murder, and lots of other things like one god mixing his and another god's semen into a salad and feeding it to the other god and then later? that god who ate the salad? he gets pregnant and gives birth to the moon god—who had already been around for centuries at that point. ¯\_(ツ)_/¯

It's all very funny and very brightly told and is 100% not for non-debauched children.


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Welcome To The Ballroom

by Tomo Takeuchi
8+ vols
Published by Kodansha
ISBN: 1632363763 (Amazon)
Genre notes: sports, competitive dance, prodigy

This is a sports story and one of those sports stories about the prodigy player who got a late start on the sport and is going to quickly make up for lost time because he’s that good. It’s a common enough formula, but Welcome To The Ballroom performs its steps very well. It’s graceful on the fundamentals while throwing in some delicious variations for a pizazz that serves to elevate the rest of the story. In the five vols I’ve read so far (I’m enamoured enough that I plan to continue with the series as new vols are released), fifteen-year-old Fujita moves from entirely inexperienced amateur to gifted would-be competitor. He begins the series aimless and struggling to find an interest as he is being pushed to choose a high school to attend. Accidentally, he finds himself in a dance studio with members devoted to competitive ballroom dance. While initially embarrassed and hoping nobody discovers him there (male dancers have about as great a reputation amongst other teens in Japan as they do here), Fujita sees a video of what competitive ballroom dance is actually like and in set alight. He has a direction now and will rocket toward it through the rest of the story, meeting obstacles and overcoming them or using his defeats by them to improve himself. (See? That sports story formula. AKA life story formula.)

If you’ve read sports manga before, you’re probably familiar with the story beats, but where Welcome To The Ballroom shines is in its visual depictions of athleticism. In Polina, Bastien Vivès ably depicted his ballet dancers in spare, minimalist gestures, giving the dance a quiet fluidity emphasizing the grace and beauty of the form. Welcome To The Ballroom doesn’t remotely attempt this. Takeuchi’s dancers are vibrant, bursting with frenetic energy. They are electric and exciting and Takeuchi draws flourishes to highlight some of the emotional energy exploding beneath the skin. Fire will crackle off the clasped hands of a couple as they waltz. A character will be engulfed in flame to express his rage or passion. The skin of another will bristle and steam as their waning strength rejuvenates to pull out one last showstopper. And the sweat.

Takeuchi does one thing I’ve never seen in a comic about active characters before. They are drenched in sweat. Rivers of it pour from their hairline down their faces as they exert themselves. It’s an incredibly small detail but it goes so very far in selling the world of these competitions. The beautiful, gorgeous women in this book do not glisten. They sweat. Buckets. It’s perfect and real.

So far at least, Welcome To The Ballroom doesn’t escape its tropes or formulae, but it’s not trying to. Instead, the book is playing entirely within the established realm and doing so with verve. It’s nailing all the steps and avoiding many of the pitfalls. It’s sweeping across the floor getting it done and showing how to do it. Welcome To the Ballroom doesn’t have the emotional range or sweep of Cross Game but does make its sport thrilling even for those, like me, who don’t have much actual interest in the activity depicted.


On A Sunbeam

by Tillie Walden
20 chapters
ISBN: 1250178134 (Amazon)
Genre notes: scifi, school, coming of age, a universe without men

Walden's story here is breath-takingly beautiful. Light and darkness play against gorgeous spacey vistas, presenting empty the threat of making too miniscule the human drama unfolding in the foreround—because, really, what can matter in the face of the cosmic? Walden's answer is grandiose: the mundane daily life of a girl. And to misappropriate Walter Simonson: it is answer enough.

Walden bounces aroung through space and time to build her characters' story, relationship, and world—in much a similar way to Evan Dahm with Vattu. Only her place and time cues are a bit more overt. It can be envigourating, the way Walden lets one story inform another and vice versa. And throughout, there's this sense of quiet danger, of foreboding. Everytime I read a new chapter, I'm nearly overcome by a creeping anxiety. Like THIS is the chapter where it all goes wrong. And of course it eventually does and oh what a blast that is.

And on top of all of it, we have Walden's illustrations. Stunning work.


Can Opener's Daughter

by Rob Davis
136 pages
Published by SelfMadeHero
ISBN: 1910593176 (Amazon)
Genre notes: world-building 101

As both prequel and sequel to Motherless Oven, The Can Opener's Daughter answers questions about the rules of the prior book while expanding the scheme in delightful ways. Can't wait for the finale to the trilogy.



by Pam Smy
544 pages
Published by Roaring Brook
ISBN: 162672654X (Amazon)
Genre notes: art history, biography

More and more often over the last few years, comics creators seem to be willing to experiment blending straight prose with comics. There have been some successes like Russian Olive To Red King and Nao Of Brown and Equinoxes. And some less successful ones like A.D. After Death where I really just wanted the prose parts to be in comics form. Thornhill is one of those that gets the mix right, and maybe wildly right.

Thornhill will remind acquainted readers of Ruth Ozeki's novel from a few years back, Tale For The Time Being. Similarly, the book jumps between found diary entries and the reader in the present who is seeking to uncover the mystery involved. There's also some heavy bullying involved, which is the other genetic thread the two books share. That's about where the similarities end though and Thornhill has its own spooky trade to ply.

In Thornhill, present day investigations of Ella's interest in Thornhill and the events surrounding its destruction are comics, told in double-page spreads. The journal entries are in prose and unburden the many woes of Mary, an orphan who lived in the group home at Thornhill thirty-five years ago. It's a good story and a brisk read.

And Pan Smy does the thing that I wish artists would go back to doing: she letters in-world text as illustration (e.g. this) rather than using a computer font—there's nothing worse than to be reading a comic and enjoying its illustrations and come across Obviously Not Hand Drawn Sign.


Monet: Itinerant of Light

by Salva Rubio and EFA
112 pages
Published by NBM
ISBN: 1681121395 (Amazon)
Genre notes: XXX

NBM, like SelfMadeHero, has been for the last several years been putting out these fantastic graphic novel biographies. Last year they released a Glenn Gould biography that, for me, set the gold standard for what comics can achieve when it comes to biography. Monet: Itinerant Of Light is no Glenn Gould: A Life Off Tempo, but it is still very good. Efa illustrates in a style not impressionistic be one that evokes the impressionism of the subject. It's a good story and a sad story (as most biographies must be).


Run For It: Stories Of Slaves Who Fought For Their Freedom

by Marcelo D'Salete
180 pages
Published by Fantagraphics
ISBN: 1683960491 (Amazon)
Genre notes: slavery, Brazil, magical realism

D'Saleto has created a sumptuous, frenetic book containing four short stories interacting with slavery in the Portuguese colonial history of Brazil. The stories are hard, girded in the diabolical truth of the human nature and capacity for the depraved. Still, though the slaves by nature of their bondage are always going to be on the losing side of the power struggle represented, there remains a kind of triumphalism, even sometimes in the midst of terrible betrayal and madness. Run For It offers a curious mix of the concrete tangible and the hallucinogenic magically real. It's a short but worthwhile experience.


Lighter Than My Shadow

by Katie Green
514 pages
Published by Lion Forge
ISBN: 1941302416 (Amazon)
Genre notes: autobio, eating disorders, abuse, recovery

Seth doesn't like autobio blah blah blah. We've been down this road enough that I won't reiterate. Let's just say that Lighter Than My Shadow surprised me near its middle, provoking a passionate rage and a struggle to catch me breath. More than just another navel-gazing reminiscence over the common tragedies that mark us all and leave us more dillapidated than we when began, Green's story is one that pulls back the curtain on blunt force trauma that strikes the reader in the slimmest fraction of the way it struck Green herself, and even so leaves the reader angry or furious or completely discouraged or something else both immediate and lasting. And then and then and then... at the end of it all, we find that if Green has a glimmer of hope and light ahead of her, then maybe we do too.



by Guy Delisle
436 pages
Published by Drawn & Quarterly
ISBN: 1770462791 (Amazon)
Genre notes: biography, terrorism, kidnapping, psychology

This is going to sound like a weak recommendation but I don't mean it to be: Hostage is the perfect book to get from the library. At least it would have been for me. I don't need to own it—though I do.

It does its job really well. It relates Christophe André's real-life kidnapping from a Doctors Without Borders office and the time he spent as a hostage while negotiations for the One Million Dollars required for his release sputters and stalls and lurches and... well. The trouble is: when you're a hostage, you don't really get to do much. It's a lot of sitting there cuffed to a radiator and a lot of going slightly mad. A lot of nothing really at all. And Delisle, I think, nails this. As Anderé suffers from the sameyness of his routine, I suffered as a reader. His boredom was my boredom. Which, again, sounds like a knock on the book but it really really isn't—Delisle does exactly the right thing by not embellishing, by not turning André's time as a hostage into a thrill ride.

And at the same time, as boredom creeps in, there's this gradually rising sense of tension and anxiety. André feels it and because he feels it, the reader does too. Is today the day? Surely it will be today. What is happening? What are those noises? Will I be home in time for my sister's wedding in three months? They want how much?? Should I try to escape? I don't know where I am or the language at all. I don't know if everyone around is in on it or if I call help loudly enough will I be rescued. I could attempt an escape but I might just complicate things since my release will surely happen tomorrow. Oh, I... I'm going to die here aren't I?

The whole experience was excruciating and delicious and now that the tension is gone because I know exactly how everything plays out, I don't see myself reading the book again. It was great and while I don't regret owning it (because ownership means I can lend it), in retrospect I would have been fine checking it out from the library.


In This Corner Of The World

by Fumiyo Kouno
450 pages
Published by Seven Seas
ISBN: 1626927472 (Amazon)
Genre notes: day-in-life, wartime, WWII

I've been waiting for a long time for more work to import from Fumiyo Kouno (her Town Of Evening Calm is an old favourite); I'm only sad that it took the release of her movie here to inspire a publisher to get on that ball. In any case, In This Corner Of The World is a treasure cut from the same vein as Town Of Evening Calm and concerns, in its way, the Hiroshima event.

Suzu grows up in a town in Hiroshima. As a teen, the war sparks up and a man who remembers a happenchance meeting when they were kids comes from the nearby coastal city of Kure to ask for her marriage. Because that's the way things work, Suzu moves to a strange city with a strange man where she will live with and work for the house of a strange family. As the story moves inexorably toward the Moment, we see daily life getting gradually impinged by the rising tide of war. It's a study in how the commoner interacts with a gradual increase of heat and pressure—and what it means to lose, badly.


Vinland Saga

by Makoto Yukimura
9+ vols
Published by Kodansha
ISBN: 1612624200 (Amazon)
Genre notes: historical fiction, fictionalized biography, Vikings, religion, war

Vinland Saga is basically the series to be reading. It's incredible. The only reason it's as low as it is on this list (still pretty high) is that 2017's vol 9 is just the beginning of a new ar (the Baltic Sea War) and it's anyone's guess how that'll play out. Anyway, I'm just going to give my standard pitch on why you should be reading Vinalnd Saga.

Vinland Saga is a graphic novel series from Japan about vikings and Odin-worship and Christianity and warrior culture and pacifism and revenge and redemption and having scary dreams about all the hundreds of people you've killed. It's loosely biographical, telling the life story of Thorfinn Karlsefni, his wife, his founding of a settlement in Newfoundland, and his interaction with the Viking king Knut.

So here's this kid named Thorfinn who's set on avenging his fathers death. His dad was this epic warrior, the best of the best, but he gave it all up for something more powerful and became a pacifist. Then because when you're a Jet, you're a Jet all the way, his old gang of super tough vikings have him assassinated. So Thorfinn's been part of this mercenary band since he was six, waiting for his chance at revenge. He's become this monstrous fighter, basically a superhero of murder but it's okay because vikings are all about battle and war.

Then events conspire so that his reason for living vanishes. There's no longer any vengeance for him. He's rudderless until he remembers some stray words his father spoke. This combines with a lot of talk about Christianity (if you remember history, this was a time of great mashups between Odin-worship and the Christian mythos).

So suddenly, after 1700 pages, we finish Chapter 54, which is titled "The End Of The Prologue." The book has been 1700 pages of brutal war. It's a bloody violent action-lover's dream (with a sprinkling of religious and political talk to make it feel not entirely like a dumb superhero book). And suddenly, [END OF PROLOGUE SPOILER] the action hero—this unstoppable warrior—takes a vow of pacifism, becomes a slave on a plantation, and starts living toward the goal of building a world of peace.

I mean think about that, it's pretty brassy to put together what is basically a brutal action adventure story and then suddenly after 1700 pages get your readers on board for a book about a guy who won't fight back. It would be like Christopher Nolan making The Dark Knight Rises into a movie where Bruce and Selina wander around Gotham City chatting Before Sunrise-style and at one point they get mugged and Bruce gives up his wallet and maybe offers the mugger a job at Waynetech.

I find the book fascinating, not only because of how it incorporates mature and varied discussion of faith and its consequences (which are pretty much totally unexpected in the genre), but also because it implicates the reader in Thorfinn's violence. You hear that kind of thing a lot, a book or movie or videogame implicates the reader in this or that, but I think Vinland Saga really drives it home after Thorfinn dumps his old self to become a man of peace. You have this warrior who's both incredibly skillful and incredibly savage, who could kill ten men in a flash. And he gets confronted with unjust brutality or theft and you just want him to strike back, you want those who oppose him, those who would abuse him, to know the fear they ought to have for him. You want catharsis and vindication—and because you're wanting violence and the hero instead offers the other cheek, you're left feeling the power of that decision.

So far, vol 7 is my favourite of the bunch for its truth-to-power moments, and the conversation between King Knut and Thorfinn where Knut (the Christian) says that God has failed us and that we've got to subjugate the world with terror and violence in order for some of us to know peace, and Throfinn (the pagan) is like, "Nuh-uh, bruh."


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My Favorite Thing Is Monsters

by Emil Ferris
2 vols
Published by Fantagraphics
ISBN: 1606999591 (Amazon)
Genre notes: monster movies, fiction through diary, the '60s, prostitution, the Holocaust, mystery

Originally, vol 2 of My Favorite Thing Is Monsters was slated for a 2017 release. Obviously that's been revised and so I'm not quite sure what to do with it. So much of my evaluation of the book is going to hinge how it wraps up its ambitious story. It could end up Top 10 material or it could slip, but for now, I'm just going to let it sit around 30 or so, which is still a strong place.

MFTIM does some things very very well. The use of ballpoint pens (or possibly pen-emulating brushes) is awesome. Ferris' use of colour here is almost incredible. As well, the bouncing around of the narrative and the discrete release of revelations works very well. On the other side, page and panel flow can be awkward and about 30% in I gave up trying to guess in which order I was meant to approach text blocks and balloons. As well, I struggle to buy that the narrator/artist is ten years old; there's things that feel like discrepancies (I guess) where she's handing out Valentine cards in class (a pretty ten-year-old thing to do) but then a week later being threatened with actual penile penetration by classmates. Maybe that does happens in fifth grade (!?) but I know I wouldn't have had the physical development required to have sex with anyone back then, and I was old for my grade.

On the other hand, Karen from the first proves that she has an overactive imagination that she is full-well ready to believe as fact, so maybe that will play a role. I don't know. But I do know that like most everybody who read vol 1, I am hungry for vol 2 to see how this whole terrible circumstance is resolved.



by Walter Simonson
2+ vols
Published by IDW
ISBN: 1631400681 (Amazon)
Genre notes: expansion of Norse mythology

Walter Simonson wrote and drew (to me) the very best Thor comics of all time. The marvel series always left me unaffected and often seemed too hokey. Then Simonson picked up the reins back in the early '80s and the book blew up. Thor was interesting, grand, noble, and larger than life. Simonson had a knack for the character and for his world. That run of comics (from Thor 337 through 382) would be the only time I truly enjoyed the character.

When I heard that Simonson was doing a new Thor book, I was interested. When I heard it was unrelated to his Marvel work, I was even more interested.

I didn't know what to expect but I did expect brilliance. And in the first vol, SImonson ... doesn't quite deliver. It's fine. It has some great art. It has some interesting concepts—e.g. Thor is basically undead after hundreds of years and has no lower jaw. But it was missing some of that spark that made me fall in love with Thor in the first place. As it turns out, this is because vol 1 is essentially prologue. It's all set-up.

Vol 2 delivers on that set-up and makes me so happy to be following this book. In honesty, probably vols 1 and 2 together form the prologue for the rest of the book. Or maybe Act One. I don't know how long this is intended to be. In any case, these 2 vols form a complete story that seems to be just the start of something epic and hopefully long and almost certainly amazing.

For synopsis: Thor has been asleep and imprisoned for a long time. The gods are all dead. Darkness and fell powers rule the earth. Ratatosk tricks someone into waking Thor—and now his long Monte Cristo-like quest for vengeance and mourning begins.



by Chris Ware
280 pages
Published by Rizzoli
ISBN: 0847860884 (Amazon)
Genre notes: autobio, retrospective

Monograph is part memoir, part career retrospective, part celebration of all the weird projects the author got into along the way. As a monument to Self, Ware creates something both lowbrow and highbrow—and ridiculously large. I can't imagine more than a slim percent of those who purchase the volume will actually read the entire thing for all its miniscule text. For those with only a tacit interest in Ware or his self-history, the book still boasts some great comics. I was particularly happy to find my favourite of all his works, a one-page story he did about this kid whose older brother went to war and never made it back. It's a haunting piece and explicates loss in a clear-hearted way.



by Jiro Taniguchi
204 pages
Published by Fanfare/Ponent Mon
ISBN: 190800729X (Amazon)
Genre notes: wandering, mellow story, perspectival shifts

Furari concerns an 18th-century man whose hobby in his early retirement has been measuring the distance between places in the city by counting his steps and perfecting the regularity of his gait. Along his way he is often caught up in the spell of his imagination, considering the creatures he runs across and how the world must look to their perspective. Turtles, cats, hawks, elephants, dragonflies, etc. Observing the people and animals and natural phenomena in his path gives him an idea for the construction of a device to help him accurately measure distance and he eventually receives a command from the Shogunate to measure and map the whole of the nation. But all that is really just an excuse for Taniguchi to draw feudal Japan and the wide variety of life that filled up the place. His drawings, as usual, are beautiful and he sometimes uses floating world style perspective and clouds to breath a sense of legend into his pages.


New York Stories

by Kevin Huizenga, Tom Gauld, Tillie Walden, etc.
74 pages
New York Times Magazine, 4 June 2017 edition
Read here
Genre notes: journalism, New York Times metro desk

If the New York Times would release an all comics magazine every Sunday (without a dip in the quality present here), I would subscribe to their newspaper. This was delightful.

Jornalistic stories in comics have been a thing for at least a little while. I first encountered the genre in Joe Sacco's Palestine around 1999. Even that was a bit of journalism mixed with autobio. Certainly there's a place for the ἐγώ in journalism, but generally we look for stories about someone other than the reporting journalist. I think I first noticed a surge in non-ἐγώ journalistic comics a couple years back with the rise of The Nib. Certainly there were plenty of stories about What It Was Like For Me Colouring Black Characters For Marvel and The Time I Visited A Prison Island and My Experience With Sensory Deprivation (each interesting stories), but then there were the non-ἐγώ stories about what's happening with the economy in San Francisco, how people interact with the C-word, and the strange ruin of Fort Ord. I was glad to see this trend because it revealed one more cool avenue for comics storytelling.

When I went out of my way to find a copy of this NY Times Magazine edition (I honestly had trouble finding a place to buy one), I was hopeful but guarded. Anthologies are rarely Very Good. They're usually a mix of good and bad and end up leaving a mediocre taste in my mouth. The Nib's collection a couple years back (Eat More Comics) had some amazing stories and some just plain crappy or boring or eye-rolling comics. I was glad I had gotten it but I also wished it was half as long and that its editor was more discriminating.

The NY Times Magazine all-comics edition evades this trap. They either got lucky or just have a better editorial team. There is still some variation in quality between stories, but even the worst story in here is still Good. One of my favourites is about these two people in Harlem who just sit at their windows and watch the world go by. The artist, Bill Bragg does this thing like Here and 750 Years In Paris do, where he takes the same exact scene and camera angle and lets time wash over it. Basically you spend a day looking out this woman's window. One of my favourite parts is when it begins to rain in the early evening. The store windows have lit up and the ground darkens with wet and then a puddle forms. In half of the puddle, you see the reflection of the store window. It was such a great detail that it sold me on the comics in a way that I wouldn't have know I was missing out on had it not been there.

This magazine is no longer in print, but you can still read it for free on the NY Times site.


A Thousand Coloured Castles

by Gareth Brooks
208 pages
Published by Graphic Medicine
ISBN: 0271079274 (Amazon)
Genre notes: medical condition, dementia

Myriam is seeing things that defy believability, but really of course she would. Castles pouring from the sink, girls in motorcycle helmets melting into the ceiling, men with ladders for heads, a naked boy next-door playing with exotic parrots. The usual for the British suburbs, of course. But something more is going on. In Myriam's mind or in reality, it hardly matters.


Master Keaton

by Naoki Urasawa
12 vols
Published by Viz
ISBN: 1421575892 (Amazon)
Genre notes: mystery, archaeology

A few years ago, I gave Master Keaton a shot (three vols worth), but it didn't click with me. I'm a big fan of Urasawa and the stories were fine and all, but there was no enduring narrative. A reader could start anywhere and read another Master Keaton yarns and leave entirely satisfied. It's like reading those short Hercule Poirot mysteries in that one story doesn't inform the next story. There was no over-arching direction for the book.

Seeing that the series wrapped in 2017, I thought I'd binge the whole thing in a fit of completionism. And largely, my opinion endured. Through vol 11, the series is comprised of short, unrelated mysteries and adventures. Kind of like watching MacGuyver. There were a couple recurring characters and occasional references to past cases, but not much. Then vol 12 hit and the whole thing is a volume-long culmination of the Keaton mythos, resolving so many of the things dangling around since vol 1. That was satisfying. What a nice little ride.


Usagi Yojimbo

by Stan Sakai
264 pages
Published by Dark Horse
ISBN: 1506701876 (Amazon)
Genre notes: historical fiction, zoomorphs, samurai, educational

Usagi Yojimbo is the story of a fictional, idealized, totemic, and somewhat historical Japan. It is a story told by following (primarily) a single wandering ronin as he follows the way of the samurai, seeking enlightenment, honour, justice, and the beauty of living. Due to his wandering nature, the reader encounters a breadth of stories, regions, and cultures. These tales unfold circa 1627 and create, despite their (sometimes) almost mythical hue, a worthwhile vantage into real and historical Japan.

Sakai peppers his narrative with the fruit of a lot of research. The most popular of his stories, “Grasscutter,” begins with a lengthy-though-entertaining excursus into the mythological origins of Japan and her people. A shorter story, “Daisho,” explains the craft with which the samurai’s sword-pair is forged and the importance those two swords (called daisho) hold to their owners. Other chapters include overtly educational bits on kite-making, pottery-making, and the intrusion of the West into the Far East. And even when he isn’t completely halting his telling in order to instruct the reader, Sakai weaves a story that posits a seamless, discreet form of education—taking part in the story by simply reading it, Sakai’s audience is constantly learning more and more about a dead and foreign culture.

One of Sakai’s great talents is in his visual storytelling. His art flows naturally and his panel design is masterful. Some of the most beautiful pages are silent and filled with panels; each of these panels illustrates part of a picture-story that initially seems unrelated to the narrative intent but ends up providing context or mood for everything that is to follow. Sakai’s art has a wonderful, lyrical quality to it and it’s incredible that he’s been able to maintain his more-than-twenty-five-year schedule of producing one chapter per month. He really is one of the best creators in the medium.

31 vols is a lot to take in. If you want a nice place to start, to see if this is a book for you, I'd recommend read vol 28, then 29, then 30, then 31 and backtracking from there if the story suits your tastes.



by Evan Dahm
3+ vols
Read here
Genre notes: adventure, politics, anthropology

While Rice Boy was fascinating and inventive and Order of Tales offered a superb yarn, Evan Dahm's Vattu is his most ambitious story yet—a multithreaded, complex narrative about the crossing of cultures, imperialism on the verge of post-imperialism, the semitotics of identity, and how language shapes us.

While Rice Boy's colours were flat and Order Of Tales was black and white, Vattu is vibrantly coloured with a perfection of details. It's a beautiful book. I'm hungry to see the story complete if only because I 1) love the satisfation of a story concluded and 2) can't wait to see more stories in Dahm's world.



by Aline Brosh McKenna and Ramón K. Pérez
224 pages
Published by Archaia
ISBN: 1608869814 (Amazon)
Genre notes: adaptation, drama, romance

As an adaptation, Aline Brosh McKenna's interpretation of Jane Eyre as a contemporary story does exactly what adaptation is meant for. Not slavish reenactment but lucid extrapolation. There are plot points that have been excised or revised, all to the end of giving Bronte's masterwork a new spin and a new chance to move and thrum.

It's a delightful work—and one that wouldn't have succeeded half so well were it not for Ramón K. Pérez' illustrations and artful storytelling. A good artist might have made the story stand. A master like Pérez makes it sing. His choice of frame, of camera, of action is all amazing and breathes life into a story that many of us know quite well by now.

This is one of the most beautifully drawn books I've read this year in terms of pure cartooning talent.


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Mighty Jack

by Ben Hatke
2+ vols
Published by First Second
ISBN: 1626722641 (Amazon)
Genre notes: adventure, adaptation

One of my favourite books to recommend younger readers (from Kindergarten to about fourth or fifth grade) is Ben Hatke's Zita the Space Girl. It's a buoyant story about a plucky, wonderful, and sometimes not very kind little girl who gets sucked into a tremendous space adventure. Hatke wrapped the trilogy a few years back and I've been waiting for his next major work since then. He's switched things up a bit, doing a couple picture books and a shorter graphic novel (Little Robot) that's probably aimed at readers a little younger than Zita was. These last couple years though, he brought us Mighty Jack, a sort of riff on Jack And The Bean Stalk. And you know what? It's better than Zita.

Mighty Jack proves that practice can make you better at what you do. Really, we already saw this at work with Hatke, since each volume of Zita was more accomplished than the one before. Mighty Jack is well-paced and more lithe. It's a fun and dangerous adventure, aimed probably at the same range as Zita, maybe a touch older. And yeah, I say the book is aimed at young readers, but despite the fact that my kids love it, I'm the one who is salivating to find out What Happens Next.



by Shuzo Oshimi
6+ vols pages
Published by Kodansha
ISBN: 1632363631 (Amazon)
Genre notes: vampires, being a teen, there is no happiness in this book…yet

Shuzo Oshimi, the nutball (in an awesome way) behind Flowers Of Evil, Inside Mari, and Trail Of Blood) is putting out maybe the first vampire story that's caught my interest. There's a solid mix of stuff common to the subgenre and stuff that is more in line with Oshimi's unique set of interests.

Beyond the many weirdnesses at play, Oshimi draws the heck out of the book. He sometimes veers into straight-up surrealism when depicting the experience of his vampiric characters—and it works colossally well.

I wasn't sure I was onboard but because it was Oshimi, I thought I'd give him 3 vols to win me over. By vol 3, I was interested enough to keep going. By vol 5, I was in the bag and I can't wait to see how he subverts expectations in vol 7.


A Bride's Story

by Kaoru Mori
9+ vols
Published by Yen Press
ISBN: 0316180998 (Amazon)
Genre notes: history, anthropology, romance

In A Bride’s Story, Mori deposits the reader leagues away from the British romance of manners she crafted in Emma, instead exploring rural and nomadic life along the Western track of the Silk Road during it's diminishment in the Great Game era. While Mori has so far largely focused her attention specifically in what is probably central Kazakhstan, near the expanding Russian border and off a bit from what used to be the Aral Sea, she's been simultaneously following a narrative track that allows her to explore increasingly Muslim lands as she follows a character's trek around the Aral and south around the Caspian on his way to Ankara in Turkey. The cultures she describe are rich in a heritage and practice that will be largely unfamiliar to the average Western reader. This is a land of yurts, shepherds, big families, khanates, delicate carvings, intricate weavings, and ornate embroideries. Much of A Bride’s Story serves as educational documentary, explaining carefully the importance of these facets of the peoples the story concerns—and it’s a mark of Mori’s talents that these lessons are never dull. The story, while pausing its plot elements for a description of tribal politics or the importance of rug-hanging, is built and embellished and given life through these brief excursions.

The most obvious of the more unique aspects of the culture Mori explores in A Bride’s Story is this people’s tradition for youthful marriages. The author explains in her endnotes to the first volume that the average marrying couple in the region would have been fifteen to sixteen years of age. For dramatic purposes here, she adds and subtracts four years from the average for her principle couple—though in a subversion of the trope, the bride is twenty and the groom only twelve. This creates numerous opportunities for thoughtful consideration of how different cultures might deal with the man/woman dynamic—as well as plenty of related awkwardness for both reader and characters alike. Amir, the bride, is often torn between mothering her young husband, Karluk, and approaching him like a young woman who is gradually falling in love. Further adding to the dynamism of the work is the fact that at twenty years old, Amir is viewed by her society as an old maid and there is no small concern that Karluk may have been slighted by being given a wife who will likely bear him few children. Amir, therefore, is eager to please her husband and new family, which gives Mori ample opportunity to display the bride’s considerable talents. Amir hunts, herds sheep, embroiders, shows a talent at horsemanship to rival any of the men in the family, and has a good decorative sense.

A Bride’s Story offers contemporary readers a delightful opportunity to exercise the skill of reading and enjoying a text without finding moral agreement with the circumstances, actions, or particulars of its protagonists. For this reason, A Bride’s Story may even be desirable to get into the hands of younger readers (despite some occasional nudity—or substantial nudity once vol 7 rolls around since much of that volume occurs in a women's bath house) if for no other purpose than to promote this critical ability at an early age. Mori makes this an elementary text for this kind of exercise. Almost no American reader will approach the text thinking it good or appropriate that a grown woman should marry a boy who is only straddling the boundary between childhood and puberty—yet that is the circumstance this culture forces on its two very winning protagonists. Further, the reversal of the autumn-spring relationship trope presents opportunities to consider the contemporary sexual politic. As well, it’s interesting to see a situation in which a clearly competent, intelligent, and mature woman willingly places herself ultimately under the authority of a child (a kind child who evidently cares deeply for his new charge, but nonetheless…).

The last two volumes of A Bride's Story have focused on longtime side character Pariya, the brash, plain-spoken, and largely talentless young woman who became one of Amir's earliest friends. After a good pile of abortive matches, she's found a suitor who she neither scares off nor opposes, but the attack on the village in vol 6 destroyed her house and with it all of her wedding preparation and dowry. Vols 8 and 9 concern her bride's story and explore whether there might be a romantic future for her as well.



by Q Hayashida
21+ vols
Published by Viz
ISBN: 1421533634 (Amazon)
Genre notes: horror, adventure, grotesque, comedy

I don't even know what to write here. Dorohedoro is wrapping up and if you're already this far in then of course you're in for penny and pound. If you haven't yet tried the book, give it a shot please (if you can handle blood, violence, and comedy). It's one of the most creative books I've ever encountered. I can't even really begin to explain the book. you kind of just have to dive in.


The Ancient Magus Bride

by Kore Yamazaki
264 pages
Published by Seven Seas
ISBN: 1626921873 (Amazon)
Genre notes: faery fantasy

The Ancient Magus' Bride is a funny mix of your typical fantasy story about a young but preternaturally gifted apprentice coming into her gifts built on the foundation of some bizarre and skeevy stuff—which actually makes the story interesting instead of just one more example of a long-mined-out trope.

Chise Hatori has been able to see beings from the fey world all her life. After abandonment by her father and the suicide of her mother, young Chise was left at the mercy of her relatives who passed her around and abused her. In her later teens, Chise sells herself into slavery to a mage (exactly how bad her life had to be to get her to that point, we don't yet know save for that damn it must've been bad). Elias, a half-fey (he has a deer skull for a head), half-human (or something) mage purchases her at auction and while he can do whatever he wants with her, he gives her a home and a routine and tells her she matters and begins training her to be a mage. It's not all sunshine and roses of course and Elias has ulterior motives and even shares some of those with Chise, but this begins her adventure into a new life that will change her and change Elias and change the world around them, hopefully for the better.

Oh, and there's the strange fact that everyone in the fey world (including Elias) keeps referring to Chise as Elias' bride. We don't yet know if their use is the same as our use of the term, but it's definitely an odd point and discovering what exactly this means is a large part of what's lurking in Chise's ongoing story. Everytime Chise corrects the fairy people that no she's not his bride but only his apprentice, they always shrug and say "whatever, same thing!" It's an engaging book and the art is crisp and, generally, fun. In a lot of ways, it feels like a much more shounen version of The Girl From The Other Side.



by Kei Sanbe
4 vols
Published by Yen Press
ISBN: 031655331X (Amazon)
Genre notes: time travel mystery

Erased is one of the series I'm most excited to see wrap in 2018. I've even kept away from the Netflix adaptation so I can approach the comic's conclusion with fresh eyes. So twisty, so turny. There's this moment late in vol 3 where I was like, "Wait what? What did you just do Kei Sanbe you bastard?"

For those unfamiliar with the premise, Satoru is kind of a loser manga creator who has this one weird "power." He'll be going through life and sudeenly, he'll find that time has rewound about a minute or so. This let's him recitify some unknown thing, if he can figure out what he's supposed to have noticed. So he saves a kid here and there throughout the course of his life. No biggie, right? Then something happens and he rewinds not just a minute or two but 20 years or so. Suddenly, he's in fifth grade with the mind of his sad sack adult self. Kind of a murder-mystery version of A Distant Neighborhood.



by HERO and Daisuke Hagiwara
9+ vols
Published by Yen Press
ISBN: 0316342033 (Amazon)
Genre notes: progressive romance, romcom, high school

Horimiya is the cutest thing ever. Basic idea: The story is about 1) Hori (the girl), a gorgeous high-achiever who outside of school wears sweats, no makeup, etc (basically she is a real person and is not 100% made up 24/7 but that is weird either in Japanese cultural or maybe just in Japanese pop cultural confections like this comic) and about 2) Miyamura (the boy), who in school appears a gloomy four-eyed otaku but outside of school is a good-looking, pierced-and-tatted dude who catches girls' eyes. They accidentally discover each other's real selves and it goes from there. They become friends and help keep each other's other selves' secret from the swirling populace of the highschool dramamill. And then the boy/girl thing starts to happen.

Horimiya, the book's title, is a portmanteau of Hori and Miyamura. Kind of, I guess, like Brangelina.

Among the neat things is that Horimiya is a progressive romance (i.e. one that moves beyond the will they/won't they question and explores their life as an established couple and beyond). It doesn't happen right away and the book follows their awkward courtship before courtship, the sort of mutual friendzoning in which they're each terrified to find out exactly what they mean to each other—but it moves beyond that and into the struggles, joys, and rhythms of life as a couple.

It's good. It's real good. And I laughed a lot. The artist's ability to capture expressions is great. The only weakness in these later vols (and why it's fallen in place since last year) is that as the cast grows, the book gives a fair amount of time to their love stories as well. And honestly? I'm not here for them. I'm here for Hori and Miyamura. These other stories feel like a distraction. They're not bad, but they aren't Horimiya.


What Is Left

by Rosemary Valero-O'Connell
36 pages
Published by ShortBox
Genre notes: sci fi, human connection

In the future, spaceships may be powered by the memories of people. After an accident in space, a woman gets caught in the memory core of the ship she works on and is trapped as a ghost within the memories of another woman.

Spacey. Gorgeously illustrated. A nice story playing with what it means to see another person, what it means to know them, and the very human desire to ourselves be known.



by Benoit Peeters and Francois Schuiten
96 pages
Published by IDW
ISBN: 1631409425 (Amazon)
Genre notes: twisty urban fantasy

It's always cause for interest when a new Schuiten/Peeters Obscure Cities book comes out. Not only are the illustrations superb and, often, jaw-dropping, but the way the tales spin out often plays with interesting concepts.

Samaris is the third book from the series to hit the US in the last five years. Where The Leaning Girl and Theory Of the Grain Of Sand were both dedicated to a single story each, Samaris contains three.

In the first, a man travels as a diplomat to distant and isolated Samaris, which scares people because they know so little about it (news from the city hasn't arrived in ages). He arrives and finds his every avenue of inquiry stymied so he takes matters into hand and maybe uncovers a huge conspiracy. Maybe.

In the second story (one the creators describe as incomplete though it ended well enough for me and is my favourite of the collection), a man is trapped behind the wall, above the ceilings, and below the floors of the rest of the city—a fugitive always on the verge of being caught.

In the third, a young academic in a foreign city is plagued by visions of coloured piping. The visions turn to mania and he comes to believe the city is in imminent danger.

Samaris is neat. Not as inventive in its use of meta as The Leaning Girl, but gorgeously drawn and especially interesting for fantasy sci-fi readers.



by Brandon Graham, Simon Roy, and Giannis Milonogiannis, et al
5 vols
Published by Image
ISBN: 1607066114 (Amazon)
Genre notes: sci fi, future history

Prophet is unique. It's not a plot-driving space adventure and will not appeal to readers who really want their sci-fi to be a plot-driving space adventure. There's no excitement here. That's not what Prophet is about or aiming for. If that's what you need, you'll need to look elsewhere. Maybe Saga.

Instead, Prophet is a dry, deadpanned history of the intergalactic events surrounding the rebirth of Empire Earth. This is like the footnotes of Jonathan Strange And Mr Norrel if the footnotes were the book and the dialogue were the footnotes. The reader is under constant barrage of near-soulless recitation of What Happened, as if the book Prophet were merely a textbook with all the investment of an segment explaining the details of the Boxer Rebellion.

So we have this voiceless wikipedia entry describing Earth's future history laid across a canvas of brilliant illustraions and punctuated by small character moments from one of a handful of character groups. I don't think I've ever seen anything quite like this and it was 100% worth my time as a reader.


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BPRD: Hell On Earth

by Mike Mignola, John Arcudi, Guy Davis, Tyler Crook, et al
15 vols
Published by Dark Horse
ISBN: 1595827072 (Amazon)
Genre notes: monsters, paranormal, pre-, mid-, and post-apocalypse

The second of three acts in BPRD (this one "Hell On Earth") closed in both a bang and a whimper. Somethings were ridiculously loud, concussive. Others felt more like a tired surrender. And excellent wrap that has me excited to see how the whole thing will finish in Act 3.



by Santiago García and David Rubín
200 pages
Published by Image
ISBN: 1534301208 (Amazon)
Genre notes: adaptation, monsters, mythos

Probably just check out my full review where I talk about the nature of adaptation, monsters, and the Christian mythos—and compare this edition of Beowulf with Gareth Hinds'.



by Mitsuhisa Kuji
8 vols
Published by Vertical
ISBN: 1935654756 (Amazon)
Genre notes: war, grotesque, intrigue

The book of Genesis in the Hebrew scriptures does this thing right at the beginning of the first book of the Pentateuch, right after the Fall of Humanity and right after the Cain and Abel incident. It’s rather an establishing shot for the whole of the rest of the Pentateuch. It’s like Orson Welles’ fabulous crane shot introducing Touch of Evil. It basically tells you everything you need to know to make sense of what follows. It gives you foundation enough not to be irreparably lost. It’s ambiance and context and foreshadowing all in one. And it works magnificently for those with patience enough to care.

Genesis 5 reads as a litany of death. So and so was born, lived so long, had a particular son through which the dynasty would pass, lived for so many years, and then died. Next! The book repeats the formula with rare exception for ten generations. It’s a bit taxing to read but drives home the author’s point that after things went haywire in the Earthly Paradise, there is no stopping death. Things were promised to get better, but they just aren’t. No matter how long a person lives, no matter how rad they were, they all die in the end. It’s macabre and even tedious, but it’s to a particular end.

Wolfsmund has the same thing going on. The first two volumes are relentless. They’re gruesome and draining and don’t really seem to go anywhere. It’s just ugly death after ugly death, and Kuji seems to introduce characters only to see them tortured and dead by chapter’s end. It’s maddening and sometimes off-putting. But then, like the book of Genesis, suddenly things start happening. The loose threads of a plot begin to weave into sight and all of that earlier horror begins to make a bit more sense and it turns into a historically-based (loosely) retelling of the Battle of Morgarten (Swiss v Austrians).

That so many seemingly main characters die so frequently is probably a gutsy move on Kuji’s part. She's made a choice that threatens to alienate readers before they have a chance to invest in the plot, when it eventually arrives. Fans of gore and gruesome deaths will probably stick around for long enough, as Kuji seems to delight in finding new ways to kill off sympathetic characters. Even well after the initial formula for each chapter gives way to a more spanning and directed narrative, the creator remains well-pleased to torture, kill, and maim with abandon. A man has molten lead poured into his face. A child has his head torn off by starving wolves. A young girl is hung naked upside-down and her throat slit. A woman has her face punched in with a plate-clad fist. A man is crushed under a heavy gate. Scalding water, boiling oil, firebombs, swords, hammers, sickles. Everybody dies and dies badly. It’s pretty rough.

It got to the point in the mid-series climax where a particular (and well-justified) execution was so barbaric that I got queasy and put the book down for about six months. But from history, it's possible that this is just the tip of the iceberg. After all, it's recorded that the fleeing Hapburg knights would throw themselves into the freezing lakes to drown rather than face the horrors of the Swiss peasantry.

So not a book for the faint of heart, BUT a very well-put-together book if you either like fanciful military history or drawings of people being murrrrdurrrd.


Golden Kamuy

by Satoru Noda
5+ vols
Published by Viz
ISBN: 1421594889 (Amazon)
Genre notes: Hokkaido wilderness adventure, treasure hunting, survival, early 20th century

Treasure hunting, wilderness survival, and that kind of ultra-talent that borders on super powers marks this as squarely shounen, but it's still just a lot of fun so far. Looking forward to seeing this story develop.


Harrow County

by Cullen Bunn and Tyler Crook
5+ vols
Published by Dark Horse
ISBN: 161655780X (Amazon)
Genre notes: rural horror

Harrow County starts off as rural horror in the vein of Freaks Of The Heartland but gradually expands into the kind of more expansive tale that made The Sixth Gun so much fun. It's the Prohibition-era story of a witch who was killed by townsfolk 18 years ago, promising to come back one day for her revenge (strains of Rachel Rising fill the air). And maybe she has come back in the form of sweet, guileless Emmy, an innocent just about to turn 18 who's been haunted by dreams of an evil tree, who unconsciously healed a sick calf, and who, Oh Yeah, who befriended the skin of a skinless boy.

Funny story. Was reading vol 3 of Harrow County when my 8yo daughter got home. She was interested and asked what it was about and if I could read it to her. I told her "No, it's about a skinless boy, maybe when you're 10." Guys, she begged me to read to her about the skinless boy. "Please! The skinless boy! Please!" I read her Power Pack instead.

Anyway, this book is gorgeous and has almost the right mix of creepiness and monsters vs interesting story. Tyler Crook's art makes this book sing. There are a couple fill-in chapters here and there by other artists and it just doesn't work at those times, and I just wish they had let Crook take his time and do those chapters himself. No shade on those other contributing artists but it just doesn't work. It feels like another story at that point. Fortunately, in the first four vols, there are only two fill-in chapters.

I'm not sure where exactly Bunn is going to take this story, but I wouldn't be surprised if it ended up going the cataclysmic route similar to Sith Gun or even BPRD. It might restrict itself to the titular county lines, but you never know.


Scum's Wish

by Mengo Yokoyari
264 pages
Published by Yen Press
ISBN: 0316463728 (Amazon)
Genre notes: dysfunctional romance

Scum's Wish is kind of like a PG-13 Girl On The Shore, where it's not just the main couple who are broken, hideous people trying to figure out how to manage their self-loathing and unrequited desires.


House Of Women

by Sophie Goldstein
200 pages
Published by Fantagraphics
ISBN: 1683960513 (Amazon)
Genre notes: sci-fi

Lust and religion and power spar over the inhabitants of a dangerous and primitive world when four daughters of the empire arrive to bring the light of civilization to the ignoble savages.


Their Story

by Tan Jiu
Read here
Genre notes: romance, comedy

This high school romance between two teen girls in China is still rather one-sided in the romance department (in that one of the girls is deep in the crush of new love and the other is just happy to have a new friend), so there's lots of that dramatic tension that naturally draws from the Unrequited Love engine. Also, Tan Jiu keeps her lead charming and emotive, so it's a pleasure to watch her do whatever it is she's going to do at any given moment. This is so far only available on the internet, but as soon as there's a physical product, it will enter my library.

I'm not super familiar with the Chinese comics scene. That is, I'm not familiar at all. I've read (possibly) five Chinese comics ever. I don't know where Their Story fits within the industry there, but if a story as buoyant and bubbly and fun and straight-up enjoyable as this is at all common there, then the Chinese comics industry must be one of the best things ever. If it's not, then at least they've got a great example of where to aim. Their Story is one of my favourite things coming out right now.



by Christophe Chabouté
384 pages
Published by Gallery 13
ISBN: 1501153323 (Amazon)
Genre notes: bildungsroman, imagination

Three books from Chabouté came out in the US in 2017 (two from Gallery 13 and one from Dark Horse). They're all pretty good but Alone is the best. It's a quiet book about a deformed hermit living alone in a lighthouse on an island wholly secluded from any human interaction. He passes his time with a dictionary and his imagination. Beautiful illustrations by Chabouté capitalizing on his talent with negative space.


Sheriff Of Babylon

by Tom King and Mitch Gerads
2 vols
Published by Vertigo
ISBN: 1401264662 (Amazon)
Genre notes: crime, post-Sadaam Iraq

The copy says retelling of the Iraq War, but that's just copy and I'd say pay it no mind. This is a crime book set in the immediate aftermath of the fall of Saddam hussein's regime. It follows the familiar beats and vectors of the crime story. What its post-war/war setting does is up the ante a touch on the chaos and the cynicism—which makes it more wild than your average Brubaker book but not quite as nutty as a Lapham book.

Where Sheriff Of Babylon really sings is in how King and Gerads unveil this story. Crime books often use non-linear narrative techniques to up tension and build anxiety and propagate confusion. SOB does this wonderfully. Knocking back-and-forth between three principal characters, King drops in lots of scenes for colour, that work more to establish a sense of place, a sense of character, a sense of voice, and a sense of ethos. Most of these scenes contribute little to plot as such save for to justify perhaps motive for later actions. It's a great book for a careful reader, one whose governing intention is not so much to find out What Happens as it is to inhabit a book and all that it offers.

Gerads page design is strong and he invents and invents and invents. Long panels, tall panels, little panels, big panels. And he works it all well within the scope of what the book is trying to accomplish.


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Dam Keeper

by Robert Kondo and Dice Tsutsumi
160 pages
Published by First Second
ISBN: 1626724261 (Amazon)
Genre notes: adventure, talking animals

Years ago, the fog killed Pig's mother. His dad designed the dam to keep the fog out, to protect the city. It works well but needs someone to man it, to keep it working. Pig's father, growing increasingly agitated, steps out into the fog one day, never to be seen again. So Pig carries on as the dam keeper, protecting the city. Only now something's changed in the fog.

The Dam Keeper is gorgeously composed. The writing is acceptable but the art is lovely—one of the loveliest books I've seen from 2017. Light and dark swirl on the page to create mood and draw the reader into Pig's world.


Princess Wolf And Her Life Of Darkness

by Beatrix and Kristen Haas Curtis
40 pages
Check it out here
Genre notes: fantasy adventure, collaboration, meta

Princess Wolf is a parent/child collaboration kind of like what Mike Mignola did with his daughter Katie when she was young for The Magician And The Snake. Only maybe a bit cooler because Curtis includes interruptive panels of back-and-forth with her daughter, who explains things in that sometimes fastidious, sometimes careless way in which children often do describe the stories that make up their worldplay. The book is very meta in that sense but it's never obnoxious because this is essentially Bee telling her story and Kristen playing the often bemused interlocutor. It's absolutely delightful—one of the true joys of 2017.



by Gamon Sakurai
9+ vols
Published by Vertical
ISBN: 1939130840 (Amazon)
Genre notes: supernatural, clever cat-and-mouse

Ajin’s a thrilling ride. There’s some fantastic cat-and-mouse going on here, and Sakurai keeps things fresh by coming up with new ways to utilize the same basic set of powers. I not infrequently found myself smiling at the ingenious way the creator chose to get his characters into and out of scrapes.

The pace isn’t nearly so relentless as Death Note's. In the first five volumes, there are two major action set-pieces. These are pretty tremendous, but much of the series is psychological and relational in nature. So far (in six volumes), I believe this staggering of tensions has really worked in favour of the series, but we’ll see if that continues to be the case. At this point, I’m pretty well along for the ride and the series would really have to drag out (like to 25+ vols) or go south pretty quickly for me to lose interest. For now, I’m just having a lot of fun.



by Jason Shiga
4 vols
Published by First Second
ISBN: 1626724520 (Amazon)
Genre notes: clever cat-and-mouse, adaptation

Jason Shiga's story of immortality is kind of a diabolically clever math problem. It twists, it turns, and it constantly has me saying "Oh-ho!" as I turn the page and find everything has changed once more. Also, it's horrifically grusome and delightfully depraved, so—like—please go in eyes wide open and don't get this for your fifth grader.


March Of The Crabs

by Arthur De Pins
2+ vols
Published by Archaia
ISBN: 1608866890 (Amazon)
Genre notes: evolution, social commentary, humour

March Of The Crabs concerns a particular species of crab (that I'm not sure actually exists) that is small, has no predators, and cannot turn. These little guys can only move side to side with no deviation. So, for the duration of their lives, the walk back and forth along the single vector into which they were born (barring external acting forces, like a wave or something). A crab who finds herself fancying a crab she walks parallel to will never have the opportunity to touch that crab.

Sad life.

Having no predators and being outside the food chain, these crabs have never had the need to evolve. But now, this one crab has an idea, one that will begin a change across the race. He hops on the back of a crab going perpendicular to his own path and through teamwork, they can travel anywhere along that x and y coordinate grid. And there are more surprises in store for the species—and all the political turmoil that naturally goes along with that kind of thing.


Fog Over Tolbiac Bridge

by Jacques Tardi from Léo Malet
80 pages
Published by Fantagraphics
ISBN: 160699705X (Amazon)
Genre notes: crime

Tardi doing what he does so well: adapting more crime stories for us to devour.


To Your Eternity

by Yoshitoki Oima
3+ vols
Published by Kodansha
ISBN: 1632365715 (Amazon)
Genre notes: fantasy, anthropology

Yoshitoki Oima delves into fantasy a bit with a mimic being learning from creatures, evolving, and moving on. I'm only two volumes in so far and curious where she'll take it but I trust her after A Silent Voice and nothing so far is raising any red flags.



by Iasmin Omar Ata
288 pages
Published by Gallery 13
ISBN: 1501162101 (Amazon)
Genre notes: epilepsy

A young man has a form of epilepsy and struggles to maintain his life when so many things can trigger the knife-weilding auras that lead to complete loss of control. An interesting counterpoint or supplemental to Daving B's Epileptic since this one, while fiction, is written by a young woman who herself experiences epilepsy.



by Connor Willumsen
120 pages
Published by Koyama
ISBN: 1927668514 (Amazon)
Genre notes: drug life, waterworld, society

In Anti-Gone the real joy of the book sits in Willumsen's pencil illustrations. They are both spare and detailed. They remind me somewhat of Backyard-era Sam Alden. In Anti-Gone's story, drugs and listlessness eventually consume the reality of the story.


Indeh: A Story of the Apache Wars

by Ethan Hawke and Greg Ruth
240 pages
Published by Grand Central
ISBN: 1401310990 (Amazon)
Genre notes: history, the American West

Ethan Hawke (Before Sunset, Tape, Gattaca) and Greg Ruth (The Lost Boy, Freaks Of The Heartland) tell the broadstrokes story of the Apache Wars, from the massacre of Geronimo's family by Mexicans at Kas-Ki-Yeh to the beheading of Coloradas to the surrender of Cochise. It's a quick, brutal, and humanistic affair made sumptuous through Ruth's illustrations. I'm sad I hadn't seen this book last year so I could place it in my year-end review.


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by Matt Kindt and David Rubin
136 pages
Published by Dark Horse
ISBN: 1506701744 (Amazon)
Genre notes: sci-fi, fantasy

David Rubin is always a joy to see at work and he pairs well with Matt Kindt here for a sci-fi vs fantasy tussle.


My Lesbian Experience With Loneliness

by Nagata Kabi
152 pages
Published by Seven Seas
ISBN: 1626926034 (Amazon)
Genre notes: autobio, psychological issues, prostitution

Kabi is a young woman whose psychological trials have governed her life with such ferocity that more than just never having had sex, she's never had any kind of a relationship. She also needs a subject for her next manga. So she skips the relationship and finds an escort service to engage her first ever sexual experience. It goes about as well as you'd expect, but the value in the book isn't really so much about the salacious peek into a virgin experience as it is in the way Kabi self-evaluates constantly. She's really trying to get a handle on both her condition and the things that contribute to her unease in this life. So while seeking paid sexual company isn't going to be super high on our list of What Healthy Behaviour Looks Like, Kabi does use it to provoke what may be healthy vectors for future living. At the end though, the book mostly leaves me concerned for her. I hope she's doing well and that whatever fame or noteriety this book (and it's coming sequel) have wrested for her aren't interfering with her quest for stability and love and comfort.



by Jeff Lemire
272 pages
Published by Gallery 13
ISBN: 1501160990 (Amazon)
Genre notes: northen snow drama

Roughneck feels like somewhat a return to form for Lemire. This is my favourite of his works since Essex County and shares a love of feeling with that earlier work.


Saigon Calling: London 1963-75

by Marcelino Truong
280 pages
Published by Arsenal Pulp
ISBN: 1551526891 (Amazon)
Genre notes: autobio, Vietnam

In this sequel to Truong's Vietnam War memoir from last year, Such A Lovely Little War, the family having escaped Vietnam settles in Europe and experiences the war at a remove. Saigon Calling spans 12 years and by its close Marco is an adult with an adult's perspective. It's been charming and valuable to watch him grow and learn to interact with the insanity of his world at war.


Treasury of 20th Century Murder

by Rick Geary
264 pages
Published by NBM
ISBN: 1681120631 (Amazon)
Genre notes: true crime

All of the murders included here (the Lindbergh kidnapping, the Axe-Man of New Orleans, and the murder of Stanley White) have all found publication previously, but this volume is handsome and available and it's a good start on Geary's world of true crime comics.



by Kristen Gudsnuk
304 pages
Published by Dark Horse
ISBN: 1506701442 (Amazon)
Genre notes: comedy, superheroes

Henchgirl is a lot of fun. It's a tongue-in-cheek romp (with dark moments) about a young woman who makes ends meet as a thug in a supervillain's gang. But then she kind of sort of falls for a guy who's just starting out in the superhero biz (with a pretty crummy power that means he'll get beat up a lot. It's light and airy and a good pick-me-up after something like Goodnight Punpun.


Spill Zone

by Scott Westerfeld, Alex Puvilland, and Hilary Sycamore
1+ vols pages
Published by First Second
ISBN: 159643936X (Amazon)
Genre notes: disaster recovery, post-minor-apocalypse

Spill Zone is great. It's one of those books where the colourist really matters. Like with Asterios Polyp only not quite so much. In any case, this book would not likely survive being B&W because its use of colour is so integral to what it is, to what it is doing. Hilary Sycamore (the colourist) is absolutely on fire here.

Three years ago, Poughkeepsie (which I only know of through Looneytoons) was destroyed in some sort of toxic mix-up disaster involving a nuclear and a nanobot production facility. And now everything's straight up nuts there. Almost nobody got out alive. Addison was out of town at the time but her sister had another kind of luck, she and a school bus full of kids somehow made it out but never spoke again. Addison's parents were working in the hospital and so, like everyone else, didn't make it out in time.

It's been three years and the town is still in quarantine. Nobody in or out (even supposing there were people who could get out). But Addison sneaks in to take photos of the bizarre phenomena that occur throughout the spill zone so she can sell them to collectors. Highly illegal, but after all a girl has to do what she can to get by. Then things start getting weird.


The Nameless City

by Faith Erin Hicks
3 vols
Published by First Second
ISBN: 1626721564 (Amazon)
Genre notes: adventure

The Nameless City continues apace. It's another one of those, like My Favorite Thing Is Monsters, that will stand or fall on its finale. Regardless though, lovely book and a cool world. I'll bet Hicks is tired of drawing tiled roofs by now though ^_^



by Katherine Wirick
2+ vols
Check it out here
Genre notes: biography, 20th century art history

Wirick (whose No One Is Safe is one of the best comics I've ever read) returns with the second chapter in her story from the life of John Heartfield, German artist, activist, and mover in the world of dadaism.


Sweet Blue Flowers

by Takako Shimura
3+ vols
Published by Viz
ISBN: 1421592983 (Amazon)
Genre notes: school, frienndship, romance

Since Fantagraphics has Shimura's Wandering Son on indefinite hold, I'm warmed to find we can at least get her able stories of young people in the form of this new series from Viz. Not quite sure where it's going as yet but with Shimura, the where is rarely as interesting as the trip itself.


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by Jillian Tamaki
264 pages
Published by Drawn & Quarterly
ISBN: 1770462872 (Amazon)
Genre notes: anthology

Boundless, like a lot of anthologies, has high points and low. I particularly fell in love with the Body Pods story (which I'd previously read elsewhere) and the Mirror Facebook one. Really, I was pretty fond of everything in the book except for the two bookends, World Class City and Boundless, neither of which did much for me.


Nathan Hale's Hazardous Tales: The Raid Of No Return

by Nathan Hale
128 pages
Published by Harry N. Abrams
ISBN: 1419725564 (Amazon)
Genre notes: history

Nathan Hale returns with more delightful retellings of some horrifying moments in history. A solid recapitulation of the events surrounding the Doolittle Raid in WWII.


The Smell Of Starving Boys

by? Loo Hui Phang and Frederik Peeters
112 pages
Published by SelfMadeHero
ISBN: 1910593400 (Amazon)
Genre notes: western, fantasy

I still don't understand the title or how a starving boy smells. In any case, though I wish there'd been about 20-30 pages more to spend with these characters before the climax to get a better feel for them, a Peeters Western was an interesting experiment. I wouldn't mind seeing more.


The Best We Could Do

by Thi Bui
336 pages
Published by Harry N. Abrams
ISBN: 1419718770 (Amazon)
Genre notes: autobio, Vietnam

I thought the middle section of Thi Bui's Vietnam War memoir was good but whet really sold me was the opening and closing kind of essay that overlays her giving birth. As a new father once more, that struck a real chord with me.



by Fabien Vehlmann and Kerascoet
128 pages
Published by NBM
ISBN: 1681121433 (Amazon)
Genre notes: fantasy, hollow earth

Not the strongest work from either Vehlmann or Kerascoet, but still interesting and featuring some wild gorgeous art.


Children Of Whales

by Abi Umeda
3+ vols
Published by Viz
ISBN: 1421597217 (Amazon)
Genre notes: fantasy, sand

Good fantasy with notes of Nausicaä world-building and the mystery of hidden sin.


Raptor Vs Rex

by Moro Rogers
146 pages
Published by Nakra
Buy from Nakra Press' site (here
Genre notes: dinosaurs, adventure

Nyka is the titular raptor (only she's actually a dromaeosaur, but that sounds too clunky) and she wakes up after a tyrannasaur destroys her village. Dinosaurs have villages. Also the tyrannasaur is also a bunch of rats and has visions of the far-flung future because the rex is the super-user of a group mind and the rats are his eyes and he's all about stopping the technological progress of the raptors who will almost certainly lead to the inhuman visions (of humans) that he's having. Anyway, Nyka is hunting Rex to kill him for vengeance, which is funny because she's roughly the size of his foot. It's a bizarre and funny tale about—just tossing out a guess—progressivism vs conservatism vs social media culture vs slacktivism vs how fun it would be if dinosaurs could talk.


The Interview

by Manuele Fior
176 pages
Published by Fantagraphics
ISBN: 1606999869 (Amazon)
Genre notes: mundane sci-fi

People are seeing UFOs and lights and stuff. A man is separating from his wife. Things are falling apart and things are rebuilding. The future is a mystery until we get there.


Warm Blood Tierney

by Josh Tierney et al
Check it out here
Genre notes: school, magically real, murders, monsters, self-aware

In one of my favourite chapters of Tierney's Spera has temporary side character Adel return to school after adventuring for a time with Lono and Pira, two traveling princesses. In school he's sitting in a class called world-breaking that seems mainly concerned with how to piss on the world-builders' parade. It's all very meta—but in a way that's actually fun.

Warm Blood continues in similar vein, only amped up several notches. Imagine Doc Brown rushing up to Nigel Tufnel, doing a kdrama wrist-grab, and dragging him the the Delorean while shouting, "Where we're going, we don't need elevens!"

Basic idea is: we've got Penny, who's just transferring from private to a local public school dedicated somewhat to game design. On her first day, a student is murdered in the cafeteria. Penny is a bit lost so Logan, hands dripping with blood, shows her around, mentions that he's the killer, and invites her to a study group from which he hopes to pick out his next victim. He introduces his sister Frances, whose voice sounds familiar to Penny. Frances explains this is because she's also the narrator. There is a giant shrimp named Ennio who goes to the school. Penny has no idea who the killer is. It's all very... perfect.


I'm Not Here

by GG
104 pages
Published by Koyama
Check it out here)
Genre notes: what even is?, basically a Murakami short story

It took me a couple reads to get anything approaching a handle on I'm Not Here. Part of it is that I'm too much a square to "get" the indie scene that makes the indie scene look like the mainstream scene, but really (at least in this case) I just need a hook on which to hang my hat. I was thinking about I'm Not Here and why I wasn't quite grokking it despite its lovely illustrations. Finally, I realized that I was somewhat reading a graphic novel version of what a Murakami short story might look like. There are differences for sure, but that was my doorway into the story and that helped me become more comfortable with the mysteries and magics at play in GG's story. It is, I think, somewhat an exploration of a woman's relationships with her family (made frail through time's march), with her environment, with her history, and with her self.


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by Haruichi Furudate
19+ vols
Published by Viz
ISBN: 1421587661 (Amazon)
Genre notes: volleyball

Everything about Haikyuu! screams "Stereotypical Manga!" Little kid who is dismissed because of his stature dreams of being a volleyball hero so he practices and practices and practices and become freakishly good so he joins a team and interpersonal conflict threatens at every juncture but they overcome through the power of friendship and overcome challenge after challenge, always learning more about themselves and how to be a better team. It's ludicrous how formula it is BUT what's even more stupid is how well it still works and how it can still be enjoyable despite the fact that there are virtually no surprises and everything happens exactly as it says on the box. (not: the box is metaphorical.)


The Lighthouse

by Paco Roca
64 pages
Published by NBM
ISBN: 1681120569 (Amazon)
Genre notes: runnin' from fascists, hiding out and havin' dreams

The Lighthouse is a slight bit of a book. It's about a young Republican soldier who's fleeing the victorious fascists. He's sixteen, duty-blind, and naive in the way that all sixteen year olds are. Events conspire (as they will) and he wakes up recuperating in an old non-operating lighthouse. The keeper tells him stories and gives him hope. The only question is what will he do when reality inevitably attempts to assert itself into this hidden domain.


Moby Dick

by Chabouté
256 pages
Published by Dark Horse
ISBN: 1506701493 (Amazon)
Genre notes: adaptation

If Chabouté's Moby Dick looked like the cover to Chabouté's Moby Dick, this would have cracked the Top 40, easy. The art is still pretty rich, but that cover spoiled me. It's a fair adaptation but Moby Dick is always going to suffer from translation into a visual form because so much of the joy one can derive from the book is joy in its use of language. That said, Chabouté does draw the heck out of this thing and his stark black-and-white style does lend certain moments the gravitas they require.


Scooter Girl

by Chynna Clugston-Flores
176 pages
Published by Image
ISBN: 1632159422 (Amazon)
Genre notes: scooter lyfe, romance, murder

Scooter Girl is very punk. I hope that won't offend Clugston Flores, who seems all up in the mod scene. (Or at least that was the scene she seemed up in back in the early two-thousand-aughts when Blue Monday and Scooter Girl came about.)

What I mean is that Scooter Girl follows its own aesthetic, both in illustration and in narrative tics. The beats aren't super familiar, the structure is all over the place, and the characters tend to not fall neatly into citizen boxes. And when Clugston Flores is firing on all cylinders, that's a wonderful thing. Blue Monday is sometimes great and sometimes stutters. Vols 2 and 4 are the earlier series' strongest points. Those feel somewhere in the neighbourhood of Solid. But it's in Scooter Girl that she really pulls it all together and makes it work for the duration.

Scooter Girl is about this prick Ashton Archer, a serial coolguy and serial womanizer who's heavy into the scooter scene. He's basically had every girl he knows and is an unstoppable lothario until he runs into Margaret. Then everything falls apart. In her presence, he becomes clumsy and accident prone. His scooter is destroyed and then his reputation is destroyed. He flees the Bay Area in shame and reestablishes himself in San Diego. Four years later, his life is back on track and he's back to old ways. Then Margaret reappears in his life and everything goes to crap. Must be love. Or murder. Probably both.

This is a reissue and comes in colour this time 'round (the original publication by Oni was in B&W). If you have it in another form, the colour isn't necessary. I'm not even sure that the B&W version isn't better. But if you haven't read it before, the new colourized version is just fine.


Cleopatra In Space

by Mike Maihack
4+ vols
Published by Graphix
ISBN: 0545528437 (Amazon)
Genre notes: adventure, Egypt, sci-fi, young reader

What if Cleopatra as a young teen was mysteriously transported instantly 10,000 years into the future (I don't know if it's actually 10,000—whatever it is, it's a lot of years) and discovers a) a glorious sci-fi future that is based around the trapping of ancient Egyptian culture, b) that she's been prophesied to arrive and vanquish the intergalactic conqueror who's been a pain ineverybody's butt (what with all the killing) for like ever now, and c) that she really loves laser guns and laser staves and sci-fi everything. It's like Zita The Spacegirl with teens and crushes.


Great Moments In Western Civilization:
Burning Rivers and The Once Great Awk

by Caitlin Cass
Subscribe here
Genre notes: history, shameful history

I've been a fan of Great Moments In Western Civilization for a long time now, and this year's releases from Cass were a lot of fun to get in the mail. Burning Rivers was informative and about some of the historical fires that have lit the waters around Chicago on fire because of how much of the water has not actually been water. Cass keeps her usual wry sense of desparate humour about the whole thing—which fits my mood and character just fine. The Once Great Awk tells the story of the extinction of the great awk. Same story as with Burning Rivers. Dark, informative, wry. The series title Great Moments In Western Civilization is ironic and Cass earns it at every turn. I love being surprised by these in my mailbox every few months.



by Joanne Meiyi Chan and Mark Rogero et al
264 pages
Subscribe here
Genre notes: childrens comics, activities

From their website: "Illustoria is a quarterly print magazine for creative kids & their grownups that launched in Summer 2016. We celebrate visual storytelling, makers and DIY culture through stories, art, comics, interviews, crafts and activities. Our publication is geared toward readers ages 6–12 and the young at heart."

I ran into Illustoria because I'm a fan of Lark Pien and she is an occasional contributor to the magazine. It's really a very cool little project, combining comics and interviews and craft activities as a way to celebrate and promote art and comics for young people.

It's not the kind of thing you'd probably turn you 6yo loose on, but working together through an issue with your kids will doubtlessly be rewarding as you make some neat things, learn about cool people, find out how artists make their stuff, and discover the secret origins of colours like Vermillion or Ultramarine.


A Land Called Tarot

by Gael Bertrand
112 pages
Published by Image
ISBN: 1534300260 (Amazon)
Genre notes: fantasy, silent

A Land Called Tarot is gorgeously draw but spare on story (and dialogue/narration is non-existent). The story (such as it is) is typical JRPG fluff, so the reason to stick around is to observe the visual delights Bertrand has in store—and they are substantial.



by Lorena Alvarez
56 pages
Published by Nobrow
ISBN: 1910620130 (Amazon)
Genre notes: fantasy

Nightlights features sumptuous, deeply colurful art in a story that leaves plenty of room for Alvarez to draw as much as she likes straight from her imagination. It's fun and probably inconsequntial. (Though the hinge on understanding what pi is may be lost on the kids who I imagine are the target audience for the book.


The Art Of War

by Sarah Glidden
6 pages
Published by The Nib
Read here)
Genre notes: art, war, civilization

While she's good at what she does and often tackles interesting subject matter, I'm too often less enthusiastic about Sarah Glidden's work not because it's Glidden's but simply because I'm not super interested in autobio as a vehicle for narrative. I've gone over this before and I'm sure you're bored and don't need to hear it again so I'll spare you. Sometimes it works though. Almost always in short pieces, before the reader can get worn down by the author's insecurities and self-interest.

And I think it does work here in this piece where Glidden wonders briefly about the nature of the interaction between art and artist and audience and history and context.

Check it out. Won't take more than ten minutes of your life to read it and you may even be made better for having read it.


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Breakdown by
Creator Nationality

These stats were made by the super-scientific means of Googling each creator represented to try to figure out where they were born. In some cases, I had to make a best guess based on where they went to university and where they live and work. So, grains of salt and all that.

Sex of Soloists

These results basically match expectation. Lots of American and Canadian creators feeding the US comics market. A smattering of British books making it across the Atlantic. Lots of Japanese work as well, since happily the manga boom-and-bust left both channels and interest wide open for publishers to bring over quality work. The Franco-Belgian scene accounts for most of the French, Spanish, and Italian creators. As for Vietnam, one is a French book (Saigon Calling) and one is American (The Best We Could Do). Then a handful of outliers. I'd love to see other nations' work better represented but the market and distribution channels just don't seem to be in place yet.

Breakdown by Creator Sex

Here I'll be presenting five charts. The first two will display creators without respect to their creator's role. The others will break down the sexes along the lines of solo creator vs writer vs artist. Apologies, but I won't be investigating inkers, colourists, letterers, or editors. I recognize these are essential creative functions in the production and value of the comic, but 1) I am too lazy to research all those names, and 2) I'm still of the mind that the principal comics product rests on the shoulders of the writer and penciller (though there are of course exceptions).

Additionally, keep in mind that this is going to be my best guess as to the sex of creators, using Google and trying to do the best I can with limited time and resources.

All told in my list there are 207 individual creators represented. I'm presenting the female vs male creators in two ways. The first is according (imperfectly) to contribution. If a creator worked on a book solo, I weighted their contribution double that of just a writer or just an artist. So A Bride's Storywould get 2 points to female creators for Mori taking on both art and writing. Satania gets 2 points to male creators and 1 point to female creators (male writer, male artist, and female artist). Additionally, Chabouté gains 4 points for male creators on the contributions chart because he did art and writing for both Alone and Moby Dick. The second chart here only counts individual creators once, so while Chabouté did art and writing on two books, he only counts once.

Here's the first two charts:

Sex of All Creators

So 38% of all the individual creators (regardless of their contributive weight) involved were female. This is up from 25% last year. The percentage of contribution of female creators is stronger at 43%, nearing parity. This is up from 29% on last year's list. And this relates to solo vs team creators, but we'll get to that.

Next we'll look at the sex of soloists:

Sex of Soloists

And when we talk single-creator books, the 48% female creators here is up from 37% last year, which is up again from 26% the year before last.

Of the Top 10 books, 4 have female creators and each are soloists. This is up from 3 last year, where the top 10 had one soloist, one contributing writer artist, and one book adapted from a woman's short story. This year, 8 of the top 20 books have female creators. Last year, I speculated that while female creators are making more and more great comics, there are so many men embedded in the industry with decades of experience that the numbers, while definitely changing, would still change pretty slowly. What I neglected to take into account is that with more women entering the field and pitching great books, publishers would be offering more books by women and—obviously—a good number of those would be good reads. I think that's what we're seeing, publishers being happier to give women the shot they deserve with us readers reaping the benefits of that shift.

Here's the next two, dividing writers and artists:

Sex of Writers vs Sex of Artists

Things still look more grim on the team-creators front, though not as bad as in previous years (probably due the same publisher shift phenomenon). Last year on the books developed by team, 12.5% of writers were female, while this year 31% of team writers were. Last year 9% of artists on team-created books were female. That number's shifted to 28% this year. Of course, a sample of 25 books isn't really enough to make much noise about, but there the numbers are if that interests you.

Does this mean there aren't a good number of talented women writing and drawing team-created books out there? Not really. I think more it shows that my tastes run toward certain projects and away from others. There are a lot of great female artists doing work on books from Image and Boom. Probably writers too, but its easier to tell good art at a glance. The trouble is that much of the serial work coming from these publishers doesn't really spark my interest and so a good deal of it goes untried. Image, while still publishing with some breadth, really does seem to have found a niche in a kind of storytelling that doesn't appeal to me so much, and seems to be aimed more at a more youthful mature reader (probably them dirty millennials we hear about on the television news). Lots of sci-fi, lots of fantasy, and lots of hip hip pattering dialogue (kind of like a whole corner of the the industry built up as a celebration of Brian K. Vaughan's stylistic tics). I'll dip my toe in the occasional sci-fi or fantasy pool and often there I'll enjoy myself, but a book being sci-fi or fantasy isn't enough to put it on my radar. Nothing wrong with either; they just don't run to my own partiular tastes in this decade. (In my 20s, I was all about sci-fi and fantasy.)

So not having read the books that a lot of great female creators are working on OR having read them but finding them not to my taste (despite their creators' evident talent), I de facto exclude a lot of the present female talent working in American serial comics simply by not being a reader of sci-fi or fantasy or superheroes. Something to be aware of when trying to understand the male/female metrics in this list.

Breakdown by
Single Creator vs Team

This one gets especially tricky as many creators who get a single-name credit on their books actually employ a team of assistants. This is especially true with manga. Still, for the sake of this article, I'll treat single-credited books as having a single creator.

Additional note: I'm again not counting letterers, colourists, or editors for or against the "solo" designation (for the reasons above), so while Chynna Clugston-Flores and Ben Hatke both employed colourists on their books, I'm still counting them as soloists. And then basically every foreign-language book employs an letterer. Still counting them as solo books.

Apparently either single-creator books are generally the best stuff around or I just kind of prefer the kind of stuff that comes out of the singular sense of vision that only comes about when a creator keeps all their fingers in all their pies.

Breakdown by
Series vs One-shots

This is intersting to me because I had a rough and very unscientific impression that I much preferred concise, complete-in-a-volume works to multi-volume stories. And while it's true that only one book on my list (Usagi Yojimbo) is of the no-end-in-sight kind of serial storytelling, it turns out basically half of the books I read and like are part of a series (this makes more sense when one considers how much manga I consume.

Still, colour me surprised.


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Notable Exclusions

There are a lot of books that didn't make it on the list that I'll get questions about or otherwise feel I should mention.

Books I Wanted To Get To
But Just Ran Out Of Time

Every year, no matter how dilligent I am, there's always going to be good books that I either don't get to or don't even hear about 'til after publication. Usually a lot of them. Here's some of the stuff I thought might make my list but couldn't because either 1) I ran out of money and couldn't afford to get it in time, 2) my library couldn't get it in time, or 3) I have it sitting right here but couldn't read it in time. Here are 30 books (in alphabetical order) I wanted to check out but haven't yet.

Books That Almost Made It

This is all stuff that was ranked on some incarnation of the list, but was eventually pushed off in favour of other works. Honestly though, probably any of these could be exchanged with any of the last ten books on the list. They're all good and it was painful to cut them.


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Navel Gazing

Coming up with a ranked list of things for a personal site or post on Facebook is entirely different in nature from ordering things for a Serious Critical Outlet (which I vaguely pretend to be). I can't just post What I Liked because 1) I have a site mission to consider and 2) for the list to be recognized as worthwhile to most readers, it has to contain enough of those things that other people would list to seem legit.

And while I never cheer on popular books that I hate just for the concept of earning legitimacy, there's always a bit of artificial list reorganization that is maybe even subconsciously designed to appeal to a readership. And maybe I'll even bump up a smallpress indie book that you can't even buy because Man that makes it feel like I'm serious about comics and you should trust me. (By the way, I *am* serious about comics and you definitely *should* trust me.) But maybe I won't do that. Most of these motivations are present but subconscious.

Does the fact that I'm on friendly terms with some creators give those books a bump? I don't see how it couldn't, even if I'm not conscious of it happening. When you read a good book by a stranger, you think, "Hey that was good!" When you read a good book by a friend, your naturally warm feeling for that other person blends with your experience of the book (because nothing social occurs in a vaccum) and now you think, "Man, that was a good book! I loved it!" And of course friendship also tends to soften criticism as well. Because we're not robots, you and I.

Also, I have to balance in some sort of subjective rubric for valuating a) What I liked with b) What is valuable and c) What is high in craft-quality. Every year, I find creating the list more daunting and more frustrating. Especially since not only is #26 not substantially "better" than #27 but also #26 is likely not substantially better than #45. I mean, it's a good problem to have. Lots of good books to read. And more every year. Essentially, we will never run out of good comics to read. It's like a golden age or something.


Good Ok Bad features reviews of comics, graphic novels, manga, et cetera using a rare and auspicious three-star rating system. Point systems are notoriously fiddly, so here it's been pared down to three simple possibilities:

3 Stars = Good
2 Stars = Ok
1 Star = Bad

I am Seth T. Hahne and these are my reviews.

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